Charles Auchester, Volume 2 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 2 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
The crown they uplifted in those soft, shining hands was a circle of
stars gathered to each other out of that heavenly silence, and into
the azure vague arose that brow over which the conqueror's sign,
suspended, shook its silver terrors. For such awful fancies shivered
through the brain upon its contemplation that I can but call it
_transcendental_,--beyond expression; the feeling, the fear, the
mystery of starlight pressed upon the spirit and gave new pulses to
the heart. The luminous essence from the large white points seemed
rained upon that forehead and upon the deep tints of the god-like
locks; they turned all clear upon their orbed clusters, they melted
into the radiant halo which flooded, yet as with a glory one could not
penetrate, the impenetrable elevation of the lineaments.
I dared only gaze; had I spoken, I should have wept, and I would not
disturb the image by my tears. I soon perceived how awfully the
paintress had possessed herself of the inspiration, the melancholy,
and the joy. The crown, indeed, was grounded upon rest, and of
unbroken splendor; but it beamed upon the aspect of exhaustion and
longing strife, upon lips yet thirsty, and imploring patience.
I suppose my silence satisfied the artist; for before I had spoken, or
even unriveted my gaze, she said, herself--
"That I have worked upon for a year. I was allowing myself to dream
one day--just such a day as this--last spring; and insensibly my
vision framed itself into form. The faces came before I knew,--at
least those behind the clouds; and having caught them, I conceived the
rest. I could not, however, be certain of my impressions about the
chief countenance, and I waited with it unfinished enough until the
approach of the season, for I knew he was coming now, and before he
arrived I sent him a letter to his house in Germany. I had a pretty
business to find out the address, and wrote to all kinds of persons;
but at last I succeeded, and my suit was also successful. I had asked
him to sit to me."
"Then you had not known him before? You did not know him all those
years?"
"I had seen him often, but never known him. Oh, yes! I had seen his
face. You have a tolerable share of courage: could you have asked him
such a favor?"
"You see, Miss Lawrence, I have received so many favors from him
without asking for them. Had I possessed such genius as yours, I
should not only have done the same, but have felt to do it was my
duty. It is a portrait for all the ages, not only for men, but for
angels."
"Only for angels, if fit at all; for that face is something beyond
man's utmost apprehension of the beautiful. It must ever remain a
solitary idea to any one who has received it. You will be shocked if I
tell you that his beauty prevails more with _me_ than his music."
"But is it not the immediate consequence of such musical investment?"
"I believe, on the contrary, that the musical investment, as you
charmingly express it, is the direct consequence of the lofty
organization."
Public-domain text, read in full here on John Shaqi.
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