Charles Auchester, Volume 2 (of 2)Sheppard, Elizabeth Sara
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Charles Auchester, Volume 2 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
The day had come and gone when Clara, for the first time, dressed in
white. The sun-grain of August had kissed the corn, the
golden-drooping sheaves waved through the land fresh cut, and the
latest roses mixed pale amidst the lilies beneath the bounteous
harvest-moon when she left us,--but not alone. It was like dying twice
over to part with them that once, and therefore it will not be
believed how soon I could recover the farewell and feed upon Clara's
letters, which never failed me once a month. For a year they more
sustained me than anything else could have done; for they told of a
life secluded as any who loved _him_ could desire for him, and not
more free from pain than care. Of herself she never spoke, except to
breathe sweet wishes for her friends; but her whole soul seemed bent
upon his existence, and her descriptions were almost a diary. I could
not be astonished at her influence, for it had governed my best days;
but that she should be able to secure such a boon to us as a year of
unmitigated repose for him, was precisely what I had not anticipated,
nor dared to expect. Meanwhile, and during that year, our work was
harder than ever. Davy and I were quite unconscious of progressing,
yet were perfectly happy, and as ever determined,--indeed, nothing
like a slight contumacy on the part of the pupils kept Davy up to the
mark. From Starwood, who had returned to Germany, I also received
accounts; but he was no letter-writer, except when there was anything
very particular to say. He was still a student, and still under
Seraphael's roof. Strange and Arabian dreams were those I had of that
house in the heart of a country so far away, for the Chevalier had
moved nearer the Rhine, and nothing in his idiosyncrasy so betokened
the Oriental tincture of his blood as his restless fondness for making
many homes while he was actually at home in none.
Public-domain text, read in full here on John Shaqi.
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