Charles Auchester, Volume 2 (of 2)Sheppard, Elizabeth Sara
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Charles Auchester, Volume 2 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
Davy's astonishment amused me; it appeared that he had formed no idea
of their having been likely to come at all, until this moment. I was
glad, indeed, to be alone, to think of that fairest friend of mine,
now so singularly blest. I thought of her in bed with her babies, I
thought of the babies being his, and she no less his own, until I was
not fit company for any one,--and it was long before I became so. I
could hardly believe it, and more especially because they were all
four so far away; for I am not of the opinion of those fortunate
transcendentalists, who aver we can better realize that which is away
from us than that which is at hand. Time and space must remain to us
our eternity and our freedom, till freedom and eternity shall be our
own.
CHAPTER XVIII
We were extremely busy, for a little while, in preparing a box of
presents, and when it was despatched we began seriously to anticipate
our awful, glorious festival; we began to have leisure to contemplate
it. It was a delightful dream, amidst that dream, to reflect that we
should see them all then, for Seraphael sent us word, in his grateful
reply to our enclosures, that both his children and their mother would
accompany him. Meantime, I was very anxious to spread the news abroad,
and most extraordinary appointments were made by all kinds of people
to secure places. I began to think, and had I been in Germany should,
of course, have settled to my own satisfaction, that the performances
must be in the open air, after all, such crowds demanded admittance so
early as early in June. It was for the last week in July that our
triple day was fixed, and in the second week of June the long-expected
treasure, the exclusive compositions, arrived from Lilienstadt. Davy
was one of the committee called immediately, and I awaited, in
unuttered longing, his return, to hear our glorious doom.
He came back almost wild. I was quite alarmed, and told him so.
"Charles," he said, "there is almost reason; so am I, myself, in fact.
Just listen to the contents of the parcel received,--an oratorio for
the first morning (such a subject, 'Heaven and Earth'!); a cantata for
a double choir; an organ symphony, with interludes for voices only; a
sonata for the violin; a group of songs and fancies. The last are for
the evenings; but otherwise the evenings are to be filled with Bach,
Beethoven, Mozart, and Handel,--the programmes already made out. How
is it possible, Charles, that such progress can have been condensed
into a few mere months? Think of the excitement, the unmitigated
stress of such an industry! Three completed works in less than a
quarter of a year, not to speak of the lesser wonders!"
Public-domain text, read in full here on John Shaqi.
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