Charles Auchester, Volume 2 (of 2)Sheppard, Elizabeth Sara
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Charles Auchester, Volume 2 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
The feeling I had for those unknown babies was inexplicable after he
was fairly gone. That I should have loved them, though unseen, was
scarcely strange, for they were the offspring of the two I loved best
on earth; but I longed and languished for one glimpse of their baby
faces just in proportion to the haunting certainty which clutched me
that those baby faces I should never see. Their beauty had been
Seraphael's only inspiration when, in conversation with me, he had
fully seemed himself: the one so light and clear, with eyes as the
blue of midnight,--his brow, her eyes; the other soft and roseate,
with her angel forehead and his own star-like gaze,--her smile upon
them both, and the features both of him. As one who reads of the
slaughtered darlings in the days of Herod, as one who pores on
chronicles of the cradle plague-smitten, I felt for them; they seemed
never to have been born, to me.
Oh, that they had never been born, indeed! At least, there was one
while I thought so. We had a heart-rending letter from Clara one
fortnight after her lord returned to her: the twins were both dead,
and by that time both buried in the same grave. With her pure
self-forgetfulness where another suffered, she spoke no word of her
own sorrow, but she could not conceal from us how fearfully the blow
had fallen upon him. The little she said made us all draw close
together and tremble with an emotion we could not confess. But the
letter concluded with an assurance of his supreme and undaunted
intention, undisturbed by the shocks and agonies of unexpected woe, to
undertake the conductorship of the festival. The sorrow that now
shadowed expectations which had been too bright, tempered also our
joy, too keen till then. But after a week or two, when we received no
further tidings, we began absolutely to expect him, and with a
stronger anticipation--infatuation--than ever, built upon a future
which no man may dare to call his own, either for good or evil. The
hottest summer I had ever known interfered not with the industry alike
of band and chorus. The intense beauty of the music and its
marvellous embodiments had fascinated the very country far and wide;
it was as if art stood still and waited even for him who had magnified
her above the trumpery standards of her precedented progress.
Public-domain text, read in full here on John Shaqi.
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