Charles Auchester, Volume 2 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 2 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
"Yes, I meant what I said then; but I was very empty, and in an idle
frame. I thought the last spark of music had passed out of me; but
there has come a flame from it at last."
"What do you mean? And what has that to do with your coming back, and
with your being melancholy,--which I cannot believe quite, Maria?"
"Oh, Carl! I am very ignorant, and have read no books; but I am pretty
sure it is said somewhere that melancholy is but the shadow of too
much happiness, thrown by our own spirits upon the sunshine side of
life. I was in that queer mood when I went to Obertheil that if an
angel had walked out of the clouds I should not have taken the trouble
to watch him; Florimond was all and enough. So he is still. But
listen, Carl. On Christmas we were in the large room, before the
table, where the green moss glittered beneath the children's tree, and
there were children of all sizes gazing at the lights. They crowded so
together that Florimond, who was behind, and standing next me, said,
'Come, Maria, you have seen all this before: shall we go upstairs
together?' And we did go out silently, we were not even missed. We
went to the room which Florimond had hired, for it was only a friend's
house, and Florimond is as proud as some one who has not his light
hair. The little window was full of stars; we heard no sound as we
stood there except when the icicles fell from the roof. The window was
open too; but I felt no cold, for he held me in his arms, and I
sheltered him, and he me. We watched the stars so long that they began
to dance below before we spoke. Then Florimond said that the stars
often reminded him how little constancy there was in anything said or
done, for that they ever shone upon that which was forgotten. And I
replied it was well that they did so, for many things happened which
had better be forgotten, or something as unmeaning. He said, then, it
was on that account we held back from expressing, even remotely, what
we felt most. And I asked him whether it might not rather be that
music might maintain its privilege of expressing what it was forbidden
to pronounce or articulate otherwise. Then he suggested that it was
forbidden to an artist to exalt himself in his craft, as he is so fond
of saying, you know, except by means of it, when it asserts itself.
And then I demanded of him that he should make it assert itself; and
after I had tormented him a good while, he fetched out his violin and
played to me a song of the stars.
Public-domain text, read in full here on John Shaqi.
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