Charles Auchester, Volume 2 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 2 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
We dined together, and then walked. I cannot record Maria's
conversation, for her force now waned, and I should have had to
entertain myself but for the unutterable entertainment at all times to
me of a walk. She bought enough paper to score a whole opera had she
been so disposed; and her preparations rather scared me on her
account. For me, I returned to Cecilia to inform our powers why I
should absent myself, and where remain; and when I came back with
"books and work" of my own, she was very quietly awaiting me for
supper, certainly not making attempts, either dread or ecstatic, at
present. I was, indeed, anxious that if she accomplished her
intentions at all, it should be in the vacation, as she studied so
ardently at every other time; and it was this anxiety that induced me
to leave her alone the next day and every morning of that week. I knew
nothing of what she did meanwhile, and as I returned to Cecilia every
night for sleep, I left her ever early, and heard not a note of her
progress; whether she made any or not remaining at present a secret.
We reassembled in February. At our first meeting, which was a very
festive banquet, our nominal head and the leading professors gave us
an intimation that the examinations would extend for a month, and
would begin in May, when the results would be communicated to the
Chevalier Seraphael, who would be amongst us again at that time, and
distribute the prizes after his own device, also confer the
certificates upon those who were about to leave the school. I was not,
of course, in this number, as the usual term of probation was three
years in any specific department, and six for the academical
course,--the latter had been advised for me by Davy, and acceded to by
my mother. I gave up at present nearly my whole time to mastering the
mere mechanism of my instrument, and had no notion of trying for any
prize at all. I believe those of my contemporaries who aspired thus
were very few at all, and Marc Iskar being among them had the effect
upon me of quenching the slight fever of a desire I might have had so
to distinguish myself. It struck me that Maria should try for the
reward of successful composition; but she was so hurt, and looked so
white when I alluded to it, that it was only once I did so. As to her
proceedings, whatever they were, the most perfect calm pervaded them,
and also her. I scarcely now heard her voice in speech; though it was
spoken aloud by Spoda, and no longer whispered, that she would very
soon be fit for the next initiation into a stage career, or its
attendant and inductive mysteries. One evening I went to see her
expressly to ascertain whether she would really leave us, and I asked
her also about her intentions.
"Carl," she said, "I wish I had any. I don't really care what they do
with me, though I wish to be able to marry as soon as possible. I
believe I am to study under Mademoiselle Venelli at Berlin when I
leave Cecilia. She teaches declamation and that style."
Public-domain text, read in full here on John Shaqi.
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