Charles Auchester, Volume 2 (of 2)Sheppard, Elizabeth Sara
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Charles Auchester, Volume 2 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
With restless rapidity his hand flashed back the leaves, his eye drank
the spirit of those signs; but he spoke not, stirred not. It seemed to
me that I must not watch him, as I was doing most decidedly, and I
disentangled myself from that revery with a shock.
I walked to the carved music-stands, the painted music-cases. I
examined the costly manuscripts and olden tomes arrayed on polished
cabinets. I blinded myself with the sunshine streaming through stained
compartments in the windows to the carnation-toned velvet of the
furniture. I peered into the pianoforte, and yearned for it to awaken;
and rested long and rapturously before a mighty marble likeness of the
self-crowned Beethoven. It was garlanded with grapes and vine-leaves
that fondled the wild locks in gracefullest fraternity; it was mounted
upon a pedestal of granite, where also the alabaster fruits and
tendrils clustered, clasping it like frozen summer, and beneath the
bust the own investment glittered,--"Tonkunst's Bacchus."[6] It was no
longer difficult to pass away the time without being troublesome to
myself or Seraphael. I was lost in a triumphant reminiscence that the
stormy brow, the eyes of lightning, the torn heart, the weary soul,
were now heaven's light, heaven's love, its calm, its gladness. For
quite an hour I stood there, so remembering and desiring ever to
remember. And then that sweet, that living voice aroused me. Without
looking up, he said,--
"Do you mean to say, Carlomein, that she has had no help here?"
"Sir, she could have had none; it was all and entirely her own. No one
knew she had written except myself."
Then in his clearest tones he answered: "It is as I expected. It is
terrible, Carlomein, to think that this work might have perished; and
I embrace thee, Carlomein, for having secured to me its possession."
"Is it so very good then, sir? Maria was very ignorant about it, and
could not even play it for herself."
"I daresay not, she has made too full a score." He smiled his sweetest
smile. "But for all that, we will not strike out one note. Why is it
not finished, Carlomein?"
I might have related the whole story from beginning to end; but his
manner was very regal just now, and I merely said: "I rather think she
was dissatisfied with the first two movements, for although she said
she could finish it, she did not, and I have kept it some time."
"You should have written to me, Carlomein, or sent it to me; it must
and shall be finished. The work is of Heaven's own. What earthly
inspiration could have taught her strains like these? They are of a
priestess and a prophetess; she has soared beyond us all."
Public-domain text, read in full here on John Shaqi.
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