Charles Dickens: A critical studyChesterton, G. K. (Gilbert Keith)
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Charles Dickens: A critical study
Chesterton, G. K. (Gilbert Keith)
Dickens, Charles, 1812-1870
There is an apostolic injunction to suffer fools gladly. We always lay
the stress on the word suffer, and interpret the passage as one urging
resignation. It might be better, perhaps, to lay the stress upon the
word gladly, and make our familiarity with fools a delight, and almost
a dissipation. Nor is it necessary that our pleasure in fools (or at
least in great and godlike fools) should be merely satiric or cruel.
The great fool is he in whom we cannot tell which is the conscious
and which the unconscious humour; we laugh with him and laugh at him
at the same time. An obvious instance is that of ordinary and happy
marriage. A man and a woman cannot live together without having against
each other a kind of everlasting joke. Each has discovered that the
other is a fool, but a great fool. This largeness, this grossness and
gorgeousness of folly is the thing which we all find about those with
whom we are in intimate contact; and it is the one enduring basis
of affection, and even of respect. When we know an individual named
Tomkins, we know that he has succeeded where all others have failed;
he has succeeded in being Tomkins. Just so Mr. Toots succeeded; he was
defeated in all scholastic examinations, but he was the victor in that
visionary battle in which unknown competitors vainly tried to be Toots.
If we are to look for lessons, here at least is the last and deepest
lesson of Dickens. It is in our own daily life that we are to look for
the portents and the prodigies. This is the truth, not merely of the
fixed figures of our life; the wife, the husband, the fool that fills
the sky. It is true of the whole stream and substance of our daily
experience; every instant we reject a great fool merely because he
is foolish. Every day we neglect Tootses and Swivellers, Guppys and
Joblings, Simmerys and Flashers. Every day we lose the last sight of
Jobling and Chuckster, the Analytical Chemist, or the Marchioness.
Every day we are missing a monster whom we might easily love, and an
imbecile whom we should certainly admire. This is the real gospel of
Dickens; the inexhaustible opportunities offered by the liberty and
the variety of man. Compared with this life, all public life, all
fame, all wisdom, is by its nature cramped and cold and small. For on
that defined and lighted public stage men are of necessity forced to
profess one set of accomplishments, to rise to one rigid standard. It
is the utterly unknown people, who can grow in all directions like an
exuberant tree. It is in our interior lives that we find that people
are too much themselves. It is in our private life that we find people
intolerably individual, that we find them swelling into the enormous
contours, and taking on the colours of caricature. Many of us live
publicly with featureless public puppets, images of the small public
abstractions. It is when we pass our own private gate, and open our own
secret door, that we step into the land of the giants.
CHAPTER XI
Public-domain text, read in full here on John Shaqi.
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