Charles Dickens: A critical studyChesterton, G. K. (Gilbert Keith)
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Charles Dickens: A critical study
Chesterton, G. K. (Gilbert Keith)
Dickens, Charles, 1812-1870
The hardest thing to remember about our own time, of course, is simply
that it is a time; we all instinctively think of it as the Day of
Judgment. But all the things in it which belong to it merely as this
time will probably be rapidly turned upside down; all the things that
can pass will pass. It is not merely true that all old things are
already dead; it is also true that all new things are already dead; for
the only undying things are the things that are neither new nor old.
The more you are up with this year’s fashion, the more (in a sense)
you are already behind next year’s. Consequently, in attempting to
decide whether an author will, as it is cantly expressed, live, it is
necessary to have very firm convictions about what part, if any part,
of man is unchangeable. And it is very hard to have this if you have
not a religion; or, at least, a dogmatic philosophy.
The equality of men needs preaching quite as much as regards the ages
as regards the classes of men. To feel infinitely superior to a man in
the twelfth century is just precisely as snobbish as to feel infinitely
superior to a man in the Old Kent Road. There are differences between
the man and us, there may be superiorities in us over the man; but our
sin in both cases consists in thinking of the small things wherein
we differ when we ought to be confounded and intoxicated by the
terrible and joyful matters in which we are at one. But here again the
difficulty always is that the things near us seem larger than they
are, and so seem to be a permanent part of mankind, when they may
really be only one of its parting modes of expression. Few people, for
instance, realize that a time may easily come when we shall see the
great outburst of Science in the nineteenth century as something quite
as splendid, brief, unique, and ultimately abandoned, as the outburst
of Art at the Renascence. Few people realize that the general habit of
fiction, of telling tales in prose, may fade, like the general habit
of the ballad, of telling tales in verse, has for the time faded. Few
people realize that reading and writing are only arbitrary, and perhaps
temporary sciences, like heraldry.
Public-domain text, read in full here on John Shaqi.
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