Charles Dickens: A critical studyChesterton, G. K. (Gilbert Keith)
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Charles Dickens: A critical study
Chesterton, G. K. (Gilbert Keith)
Dickens, Charles, 1812-1870
But “Master Humphrey’s Clock” is now scarcely known except as the
shell of one of the well-known novels. “The Old Curiosity Shop” was
published in accordance with the original “Clock” scheme. Perhaps the
most typical thing about it is the title. There seems no reason in
particular, at the first and most literal glance, why the story should
be called after the Old Curiosity Shop. Only two of the characters have
anything to do with such a shop, and they leave us for ever in the
first few pages. It is as if Thackeray had called the whole novel of
“Vanity Fair” “Miss Pinkerton’s Academy.” It is as if Scott had given
the whole story of “The Antiquary” the title of “The Hawes Inn.” But
when we feel the situation with more fidelity we realize that this
title is something in the nature of a key to the whole Dickens romance.
His tales always started from some splendid hint in the streets. And
shops, perhaps the most poetical of all things, often set off his fancy
galloping. Every shop, in fact, was to him the door of romance. Among
all the huge serial schemes of which we have spoken, it is a matter of
wonder that he never started an endless periodical called “The Street,”
and divided it into shops. He could have written an exquisite romance
called “The Baker’s Shop”; another called “The Chemist’s Shop”; another
called “The Oil Shop,” to keep company with “The Old Curiosity Shop.”
Some incomparable baker he invented and forgot. Some gorgeous chemist
might have been. Some more than mortal oilman is lost to us for ever.
This Old Curiosity Shop he did happen to linger by: its tale he did
happen to tell.
Public-domain text, read in full here on John Shaqi.
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