Charles Dickens: A critical studyChesterton, G. K. (Gilbert Keith)
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Charles Dickens: A critical study
Chesterton, G. K. (Gilbert Keith)
Dickens, Charles, 1812-1870
Now, among many interests of his contact with America this interest
emerges as infinitely the largest and most striking, that it gave
a final example of this queer, unexpected coolness and candour of
his, this abrupt and sensational rationality. Apart altogether from
any question of the accuracy of his picture of America, the American
indignation was particularly natural and inevitable. For the large
circumstances of the age must be taken into account. At the end of
the previous epoch the whole of our Christian civilization had been
startled from its sleep by trumpets to take sides in a bewildering
Armageddon, often with eyes still misty. Germany and Austria found
themselves on the side of the old order, France and America on the
side of the new. England, as at the Reformation, took up eventually
a dark middle position, maddeningly difficult to define. She created
a democracy, but she kept an aristocracy: she reformed the House
of Commons, but left the magistracy (as it is still) a mere league
of gentlemen against the world. But underneath all this doubt and
compromise there was in England a great and perhaps growing mass of
dogmatic democracy; certainly thousands, probably millions expected
a Republic in fifty years. And for these the first instinct was
obvious. The first instinct was to look across the Atlantic to where
lay a part of ourselves already Republican, the van of the advancing
English on the road to liberty. Nearly all the great Liberals of the
nineteenth century enormously idealized America. On the other hand to
the Americans, fresh from their first epic of arms, the defeated mother
country, with its coronets and county magistrates, was only a broken
feudal keep.
Public-domain text, read in full here on John Shaqi.
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