Charles Dickens: A critical studyChesterton, G. K. (Gilbert Keith)
General
Charles Dickens: A critical study
Chesterton, G. K. (Gilbert Keith)
Dickens, Charles, 1812-1870
And so, when the voice, swelling in volume, reached America and the
Americans, the Americans said, “Here is a man who will hurry the old
country along, and tip her kings and beadles into the sea. Let him come
here, and we will show him a race of free men such as he dreams of,
alive upon the ancient earth. Let him come here and tell the English
of the divine democracy towards which he drives them. There he has
a monarchy and an oligarchy to make game of. Here is a republic for
him to praise.” It seemed, indeed, a very natural sequel, that having
denounced undemocratic England as the wilderness, he should announce
democratic America as the promised land. Any ordinary person would have
prophesied that as he had pushed his rage at the old order almost to
the edge of rant, he would push his encomium of the new order almost
to the edge of cant. Amid a roar of republican idealism, compliments,
hope, and anticipatory gratitude, the great democrat entered the
great democracy. He looked about him; he saw a complete America,
unquestionably progressive, unquestionably self-governing. Then, with
a more than American coolness, and a more than American impudence, he
sat down and wrote “Martin Chuzzlewit.” That tricky and perverse sanity
of his had mutinied again. Common sense is a wild thing, savage, and
beyond rules; and it had turned on them and rent them.
The main course of action was as follows; and it is right to record
it before we speak of the justice of it. When I speak of his sitting
down and writing “Martin Chuzzlewit,” I use, of course, an elliptical
expression. He wrote the notes of the American part of “Martin
Chuzzlewit” while he was still in America; but it was a later decision
presumably that such impressions should go into a book, and it was
little better than an afterthought that they should go into “Martin
Chuzzlewit.” Dickens had an uncommonly bad habit (artistically
speaking) of altering a story in the middle as he did in the case
of “Our Mutual Friend.” And it is on record that he only sent young
Martin to America because he did not know what else to do with him,
and because (to say truth) the sales were falling off. But the first
action, which Americans regarded as an equally hostile one, was the
publication of “American Notes,” the history of which should first be
given. His notion of visiting America had come to him as a very vague
notion, even before the appearance of “The Old Curiosity Shop.” But
it had grown in him through the whole ensuing period in the plaguing
and persistent way that ideas did grow in him and live with him. He
contended against the idea in a certain manner. He had much to induce
him to contend against it. Dickens was by this time not only a husband,
but a father, the father of several children, and their existence made
a difficulty in itself. His wife, he said, cried whenever the project
was mentioned. But it was a point in him that he could never, with any
satisfaction, part with a project.
Public-domain text, read in full here on John Shaqi.
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