Skinner went to Frohman and asked him if he could produce "The Duel" in America. "Why don't you do it under my management?" asked the manager. "All right," replied the actor, "I will." With these few remarks began the connection between Charles Frohman and Otis Skinner. It was during the closing years of Frohman's life that his genius for singling out gifted young women for eminence found its largest expression. Typical of them was Marie Doro, a Dresden-doll type of girl who made her first stage appearance, as did Billie Burke and Elsie Ferguson, in musical comedy. Charles Frohman saw her in a play called "The Billionaire" at Daly's Theater in New York, in which she sang and danced. He had an unerring eye for beauty and talent. With her, as with others that he transported from musical pieces to straight drama, he had an uncanny perception. He engaged her and featured her in a slender little play called "Friquette." Miss Doro made such an impression on her first appearance that Frohman now put her in "Clarice," written by William Gillette, in which he also appeared. Her success swept her nearer to stardom, for she next appeared in a Frohman production which, curiously enough, reflected one of Frohman's sentimental moods. For many years Mrs. G. H. Gilbert was a famous figure on the American stage. She had been one of the "Big Four" of Augustin Daly's company for many years, and remained with Daly until his death. She was the beloved first old woman of the dramatic profession. When the Daly company disbanded Mrs. Gilbert did not prepare to retire. She was hearty and active. Frohman realized what a warm place this grand old woman had in the affection of theater-goers after all the years of faithful labor, so he said to himself: "Here is a wonderful old woman who has never been a star. She must have this great experience before she dies." He engaged Clyde Fitch to write a play called "Granny," in which Mrs. Gilbert was starred. It made her very happy, and she literally died in the part. In the cast of "Granny" Miss Doro's youthful and exquisite beauty shone anew. Her success with the press and the public was little short of phenomenal. Charles now saw Miss Doro as star. He held youth, beauty, and talent to be the great assets, and he seldom made a mistake. It was no vanity that made him feel that if an artist pleased him she would likewise please the public.