One of Frohman's characteristic hobbies was that he would never allow the leading man or the leading woman of his theater, or anybody in the company, no matter what position he or she held, to presume upon that position and bully the property man, or the assistant stage-manager, or any person in a menial position in the theater. He was invariably on the side of the smaller people. Very often he would say, "The smallest member of this organization, be he of the staff or in the company, has as much right to his 'say' in an argument as the biggest member has." On one occasion a certain actor, who was rather fond of issuing his wishes and instructions in a very loud voice, made his exit through a door up the center of the stage which was very difficult to open and shut. It had not worked well, and this had happened, quite by accident, on several occasions during the run of the play. The actor had spoken rather sharply to the carpenter about it instead of going, as he should have done, to the stage-manager. He always called the carpenter "Charley." The carpenter was a rather dignified person named Charles Heimley. On the night in question this actor had had the usual trouble with the door. Heimley was not in sight, for he was evidently down in his carpenter-shop under the stage. The actor leaned over the balustrade and called out: "Charley! Charley!" Frohman, who was just walking through the side door on his way to William Faversham's dressing-room, turned to the star and said: "Who is calling? Does he want me?" "Oh no, he is calling the carpenter," replied Faversham. Frohman tapped the noisy actor on the shoulder with his stick, and said, "You mean _Mr. Heimley_, don't you?" He wanted the carpenter's position to be respected. XVII HUMOR AND ANECDOTE The most distinctive quality in Charles Frohman's make-up was his sense of humor. He mixed jest with life, and it enabled him to meet crisis and disaster with unflagging spirit and smiling equanimity. Like Lincoln, he often resorted to anecdote and story to illustrate his point. He summed up his whole theory of life one day when he said to Augustus Thomas: "I am satisfied if the day gives me one good laugh." He had a brilliancy of retort that suggested Wilde or Whistler. Once he was asked this question: "What is the difference between metropolitan and out-of-town audiences?" "Fifty cents," he replied. * * * Haddon Chambers was writing a note in Frohman's rooms at the Savoy. "Do you spell high-ball with a hyphen?" he asked. "No, with a siphon," responded Frohman. * * * Charles Dillingham, when in Frohman's employ, was ordered to hurry back to New York. From a small town up New York state he wired: _Wash-out on line. Will return as soon as possible._ Frohman promptly sent the following reply: _Never mind your wash. Buy a new shirt and come along at once._ That he could also meet failure with a joke is shown by the following incident: