The success of ‘Harry Lorrequer’ was the reason for writing ‘Charles O’Malley.’ That I myself was in nowise prepared for the favour the public bestowed on my first attempt is easily enough understood. The ease with which I strung my stories together--in reality the ‘Confessions of Harry Lorrequer’ are little more than a note-book of absurd and laughable incidents--led me to believe that I could draw on this vein of composition without any limit whatever. I felt, or thought I felt, an inexhaustible store of fun and buoyancy within me, and I began to have a misty half-confused impression that Englishmen generally laboured under a sad-coloured temperament, and were proportionately grateful to any one who would rally them, even passingly, out of their despondency, and give them a laugh without much trouble for going in search of it. When I set to work to write ‘Charles O’Malley,’ I was, as I have ever been, very low with fortune, and the success of a new venture was pretty much as eventful to me as the turn of the right colour at _rouge-et-noir_. At the same time, I had then an amount of spring in my temperament, and a power of enjoying life, which I can honestly say I never found surpassed. The world had for me all the interest of an admirable comedy, in which the part allotted to myself, if not a high or a foreground one, was eminently suited to my taste, and brought me, besides, sufficiently often on the stage to enable me to follow all the fortunes of the piece. Brussels (where I was then living) was adorned at the period with most agreeable English society. Some leaders of the fashionable world of London had come there to refit and recruit, both in body and estate. There were several pleasant people, and a great number of pretty people; and so far as I could judge, the fashionable dramas of Belgrave Square and its vicinity were being performed in the Rue Royale and the Boulevard de Waterloo with very considerable success. There were dinners, balls, _déjeuners_, and picnics in the Bois de Cambre, excursions to Waterloo, and select little parties to Boisfort (a charming little resort in the forest), whose intense Cockneyism became perfectly inoffensive, being in a foreign land and remote from the invasion of home-bred vulgarity. I mention these things to show the adjuncts by which I was aided, and the rattle of gaiety by which I was, as it were, “accompanied” when I tried my voice. The soldier element tinctured our society strongly, and, I will add, most agreeably. Amongst those whom I remember best were several old Peninsulars. Lord Combermere was of this number; and another of our set was an officer who accompanied--if indeed he did not command--the first boat party who crossed the Douro. It is needless to say how diligently I cultivated a society so full of all the storied details I was eager to obtain, and how generously disposed were they to give me all the information I needed. On topography especially were they valuable to me,