Charles O'Malley, The Irish Dragoon, Volume 1Lever, Charles
General
Charles O'Malley, The Irish Dragoon, Volume 1
Lever, Charles
Peninsular War, 1807-1814 -- Fiction
“There goes the news!” said Frederick, pointing as he spoke to a rocket
that shot up into the sky, and as it broke into ten thousand stars,
illuminated the broad stream where the ships of war lay darkly resting. In
another moment the whole air shone with similar fires, while the deep roll
of the drum sounded along the silent streets, and the city so lately sunk
in sleep became, as if by magic, thronged with crowds of people; the
sharp clang of the cavalry trumpet blended with the gay carol of the
light-infantry bugle, and the heavy tramp of the march was heard in the
distance. All was excitement, all bustle; but in the joyous tone of every
voice was spoken the longing anxiety to meet the enemy. The gay, reckless
tone of an Irish song would occasionally reach us, as some Connaught Ranger
or some 78th man passed, his knapsack on his back; or the low monotonous
pibroch of the Highlander, swelling into a war-cry, as some kilted corps
drew up their ranks together. We turned to regain our quarters, when at
the corner of a street we came suddenly upon a merry party seated around a
table before a little inn; a large street lamp, unhung for the occasion,
had been placed in the midst of them, and showed us the figures of several
soldiers in undress; at the end, and raised a little above his compeers,
sat one whom, by the unfair proportion he assumed of the conversation, not
less than by the musical intonation of his voice, I soon recognized as my
man, Mickey Free.
“I’ll be hanged if that’s not your fellow there, Charley,” said Power, as
he came to a dead stop a few yards off. “What an impertinent varlet he is;
only to think of him there, presiding among a set of fellows that have
fought all the battles in the Peninsular war. At this moment I’ll be hanged
if he is not going to sing.”
Here a tremendous thumping upon the table announced the fact, and after a
few preliminary observations from Mike, illustrative of his respect to the
service in which he had so often distinguished himself, he began, to
the air of the “Young May Moon,” a ditty of which I only recollect the
following verses:--
“The pickets are fast retreating, boys,
The last tattoo is beating, boys,
So let every man
Finish his can,
And drink to our next merry meeting, boys.
The colonel so gayly prancing, boys,
Has a wonderful trick of advancing, boys,
When he sings out so large,
‘Fix bayonets and charge!’
He sets all the Frenchmen a-dancing, boys.
Let Mounseer look ever so big, my boys,
Who cares for fighting a fig, my boys?
When we play ‘Garryowen,’
He’d rather go home;
For somehow, he’s no taste for a jig, my boys.”
This admirable lyric seemed to have perfect success, if one were only to
judge from the thundering of voices, hands, and drinking vessels which
followed; while a venerable, gray-haired sergeant rose to propose Mr.
Free’s health, and speedy promotion to him.
Public-domain text, read in full here on John Shaqi.
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