Charles Peace, or The Adventures of a Notorious BurglarAnonymous
General
Charles Peace, or The Adventures of a Notorious Burglar
Anonymous
Burglars -- England -- London -- Biography; Murderers -- England -- London -- Biography; Peace, Charles Frederick, 1832-1879
“I can’t tell you how I lived for the next two or three years. It was,
perhaps, something after the manner of the dog who has no
master――to-day, I might be feeding on garbage; to-morrow, snatching a
bone from a smaller and weaker dog; and a third time, waiting for the
refuse of those who were over-gorged. Like a fly, I dipped into every
man’s cup that came into my way; but, strange to say, all this time it
never came into my head to look back on a gipsy’s life.”
“Shall I tell you why?” muttered the man in the corner. “There is a
charm in a vagabond’s wayward life which none but a vagabond can
appreciate.”
“What is a gipsy’s life but that of a vagabond state of existence?”
inquired Peace.
“True,” returned the other. “Granted, but not precisely in the same
degree as the one he had been following. He had known what a wayward
life was in the country, but the town loafer’s life was new to him,
and brought fresh charms――yes, charms, I will call them. There is
positively a fascinating spell in a life of monetary casualty which is
a mystery to those who are well provided for in life. Even the extreme
of misery does not break the spell. Sadness oftentimes twines itself
around the strings of the heart, while it releases and softens them.
“I knew a corner in a tap-room of a public-house resorted to by
cadgers which was called the dead man’s corner, because numbers of
decayed beggars had made it their sleeping place, and in that spot one
had breathed his last. The seat was frequently at a premium among aged
beggars.”
“Ah, I say, draw it mild, old man,” said several voices.
“It’s a fact,” returned the man in the corner.
No two specimen of the human species could form a stranger contrast
than the gipsy and the man in the corner, or the “Croaker,” as the
former designated him.
The gipsy was full of robust health, of life, and animation.
The “Croaker” resembled more the skeleton of a murdered man than a
living subject.
The attenuation of his figure conveyed to the mind the horrible idea
of a man just terminating his life under a sentence of starvation.
His eyes resembled dirty gray glass, and a countenance, when unmoved,
adorned with features cut in marble, or moulded in cast iron,
impressing those who looked on him with the idea that for once nature
had made a man without feelings or affections.
Warmth, ardour, sensibility, and the sentiment of friendship had all,
however, reigned successively in the collapsed breast of that frame,
of which nothing was left but the bare walls, lighted by the last
flickerings of the vital spark of that intellect which had brought
reflection and worn him to the bone.
He was a mere wreck. Remorse for an ill-spent and sinful life had
eaten like a canker worm into his heart.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account