The excellent training of 'Uncle Eliot' during the dull winter evenings made the winter holidays a real joy; we rehearsed and acted in the Gallery, originally built to hold the Harleian Manuscripts, and divided by columns into three parts, making an admirable theatre and a handsome proscenium. On one great occasion we had Frank Matthews as prompter, and we none of us forget seeing him initiate Lady Agneta in the art of making a stage kiss. Oh! how we laughed. He cried so much during the performance that he prompted badly; but perhaps the dear man was touched by the family talent! A letter from Tom Taylor recommending plays suitable for our company will be read with interest. * * * * * 'There is a play called "Hearts are Trumps" which I think would suit your friends, from what you tell me of their troupe and requirements. We played a piece at Canterbury called "Palace and Prison" adapted by Simpson from "La Main gauche et la main droite" which, as far as I remember, is unobjectionable. I think Palgrave Simpson had it printed, though I do not think it has been acted in London. My little comedietta "Nine Points of the Law" is free from all critical situations and language, but perhaps Mr. Sterling's part may be too old for your _jeune premier_. 'There is a piece called the "Secret Agent" well suited to drawing-room theatricals; you might look at it. "You can't marry your Grandmother" is a good one-act piece, free from objectionable situation and dialogue. See also "Time tries all," "A Match in the Dark," and "Kill or Cure." 'Ever yours truly, 'TOM TAYLOR.' * * * * * In 1857 the Wimpole Theatre reopened with the same company and gave 'Sunshine through the Clouds' and 'Only a Halfpenny'; and in 1860 for the last time with 'The Jacobite' by Planche; a scene from 'King John'; and 'Helping Hands' by Tom Taylor. The last was a beautiful play, but too refined for the ordinary theatre, and consequently did not have the run it deserved. All these performances were strictly confined to the family, including the painting of the scenery and the composition of Prologues, Epilogues, &c. As we said in one of those compositions, 'We are no London stars; we're all of Yorke.'