But richness of color superadded to accuracy of drawing cannot secure the highest place in Art; and here I approach a more harmonious topic. Expression, or, in other words, the sentiment, the thought, the soul, which inspires the work, is not less important than that which animates the printed page or beams from the human countenance. The mere imitation of inanimate Nature belongs to the humbler schools of Art. The skill of Zeuxis, which drew birds to peck at the grapes on his canvas, and the triumph of Parrhasius, who deceived his rival by a painted curtain, cannot compare with those pictures which seem articulate with the voices of humanity. The highest form of Art is that which represents man in the highest scenes and under the influence of the highest sentiments. And that quality or characteristic called _expression_ is the highest element of Art. It is this which gives to Raphael, who yields to Titian in color, such acknowledged eminence. His soul was brimming with sympathies, which his cunning hand kept alive in immortal pictures. Eye, mouth, countenance, the whole composition, has life,--not the life of mere imitation, copied from common Nature, but elevated, softened, refined, idealized. Beholding his works, we forget the colors in which they are robed; we gaze at living forms, and look behind the painted screen of flesh into living souls. A genius so largely endowed with the Promethean fire has been not unaptly called Divine. It was said by Plato that nothing is beautiful which is not morally good. But this is not a faultless proposition. Beauty is of all kinds and degrees; and it exists everywhere beneath the celestial canopy, in us and about us. It is that completeness or finish which gives pleasure to the mind. It is found in the color of a flower, and the accuracy of geometry,--in an act of self-sacrifice, and the rhythm of a poem,--in the virtues of humanity, and the marvels of the visible world,--in the meditations of a solitary soul, and the stupendous mechanism of civil society. There is beauty where there is neither life nor morality; but the highest form of beauty is in the perfection of the moral nature. The highest beauty of expression is a grace of Christian art. It flows from sensibilities, affections, and struggles peculiar to the Christian character. It breathes purity, gentleness, meekness, patience, tenderness, peace. It abhors pride, vain-glory, selfishness, intemperance, lust, war. How celestial, compared with that which dwells in perfection of form or color only! The beauty of ancient art found congenial expression in the faultless form of Aphrodite rising from the sea,[175] and in the majestic mien of Juno, with snow-white arms, and royal robes, seated on a throne of gold,[176]--not in the soul-lit countenance of her who watched the infant in his manger-cradle, and throbbed with a mother's heart beneath the agonies of the cross. [175] Ovid, Tristia, Lib. II. 527. [176] Martial, Epig., Lib. X. 89.