Charles Sumner: his complete works, volume 02 (of 20)Sumner, Charles
History
Charles Sumner: his complete works, volume 02 (of 20)
Sumner, Charles
Slavery -- United States; Speeches, addresses, etc., American
Unquestionably, as we are constituted, Glory does exert an imperious
control. Its influence is widely and variously felt, though seeming
to diminish with advancing years, with the growth of the moral and
intellectual nature, with the development of the Christian character,
and in proportion as the great realities of existence here and
hereafter engross the soul. The child is sensitive to it in earliest
dalliance on a parent's knee. Here is an element of that unamiable
selfishness which pervades his crude nature, rendering him jealous and
envious of caress and praise bestowed upon another. His little bosom
palpitates with unrestrained ardors, which in children of a larger
growth animate conquerors, and those whom the world calls "great." As
he mingles with playmates, the same passion enters into his sports,
and attends the exercises of the school. He is covetous of evanescent
applause among his peers. He struggles for this fragile Glory,--a
bubble blown by the breath of boys.
In maturer years a similar solicitude continues, modified by period and
circumstance. The youth putting away childish things rarely forgets
the sentiment of emulation; while not insensible to the desire of
_excellence_, he is animated by the desire of _excelling_. I do not
mention this for any austere criticism, but as a psychological fact.
And when preparation gives place to action, then this same sentiment,
which absorbed the child and animated the youth, reappears in the
confirmed ambition of manhood. Now, under loftier name, and with mien
of majesty, it beckons to competition with the masters of human thought
and conduct, filling his bosom with a pleasing frenzy. He is aroused by
"the spur that the clear spirit doth raise
(_That last infirmity of noble mind_)
To scorn delights and live laborious days."[207]
[207] Milton, Lycidas, 70-72.
Public-domain text, read in full here on John Shaqi.
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