From the vicious and barbarous elements entering into past conceptions of Glory, it is evident that there must be a surer and higher standard. A degraded public opinion naturally fails to appreciate excellence not in harmony with its own prejudices, while it lavishes regard upon conduct we would gladly forget. Genius, too, in all ages, (such is the melancholy story of Humanity,) has stooped to be sycophant, apologist, or friend of characters never to be mentioned without disgust. Historian, poet, and philosopher, false to every sacred office, have pandered to the praise of those who should have been gibbeted to the condemnation of mankind. Lucan, the youthful poet of Freedom, offers in his "Pharsalia" the incense of adulation to the monster Nero; Quintilian, the instructor, pauses in his grave "Institutes of Oratory" to speak of the tyrant Domitian as _most holy_; Paterculus, the historian, extols Tiberius and Sejanus; Seneca, the philosopher, condescends, in his treatise on Consolation, to flatter the imbecile Claudius; while, not to multiply instances in modern times, Corneille, the grandest poet of France, prefaced one of his tragedies with a tribute to the crafty tyrant Mazarin; and our own English Dryden lent his glowing verse to welcome and commemorate a heartless, unprincipled monarch and a servile court. Others, while refraining from eulogy, unconsciously surrender to sentiments and influences, the _public opinion_, of the age in which they Live,--investing barbarous characters and scenes, the struggles of selfishness and ambition, and even the movements of conquering robbers, with colors too apt to fascinate or mislead. Not content with that candor which should guide our judgment alike of the living and the dead, they yield sympathy even to injustice and wrong, when commended by genius or elevated by success, and especially if coupled with the egotism of a vicious patriotism. Not feeling practically the vital truth of Human Brotherhood, and the correlative duties it involves, they are insensible to the true character and the shame of transactions by which it is degraded or assailed, and in their estimate depart from that standard of Absolute Right which must be the only measure of true and permanent Fame.