Charles Sumner: his complete works, volume 03 (of 20)Sumner, Charles
History
Charles Sumner: his complete works, volume 03 (of 20)
Sumner, Charles
Slavery -- United States; Speeches, addresses, etc., American
Gracious Heaven! can such things be on our Free Soil? ["_No!_"] Shall
the evasion of Pontius Pilate be enacted anew, and a judge vainly
attempt, by washing the hands, to excuse himself for condemning one
in whom he can "find no fault"? Should any court, sitting here in
Massachusetts, for the first time in her history, become agent of the
Slave-Hunter, the very images of our fathers would frown from the
walls; their voices would cry from the ground; their spirits, hovering
in the air, would plead, remonstrate, protest, against the cruel
judgment. [_Cheers._] There is a legend of the Church, still living
on the admired canvas of a Venetian artist, that St. Mark, descending
from the skies with headlong fury into the public square, broke the
manacles of a slave in presence of the very judge who had decreed his
fate. This is known as "The Miracle of the Slave," and grandly has
Art illumined the scene.[57] Should Massachusetts hereafter, in an
evil hour, be desecrated by any such decree, may the good Evangelist
once more descend with valiant arm to break the manacles of the Slave!
[_Enthusiasm._]
Sir, I will not dishonor this home of the Pilgrims, and of the
Revolution, by admitting--nay, _I cannot believe--that this Bill will
be executed here_. ["_Never!_"] Among us, as elsewhere, individuals may
forget humanity, in fancied loyalty to law; but the public conscience
will not allow a man who has trodden our streets as a freeman to be
dragged away as a slave. [_Applause._] By escape from bondage he has
shown that true manhood which must grapple to him every honest heart.
He may be ignorant and rude, as poor, but he is of true nobility.
Fugitive Slaves are the heroes of our age. In sacrificing them to
this foul enactment we violate every sentiment of hospitality, every
whispering of the heart, every commandment of religion.
[57] An eloquent French critic says, among other things, of this
greatest picture of Tintoretto, that "no painting surpasses, or
perhaps equals" it, and that, before seeing it, "one can have
no idea of the human imagination." (Taine, Italy, Florence, and
Venice, tr. Durand, pp. 314, 316.) Some time after this Speech an
early copy or sketch of this work fell into Mr. Sumner's hands,
and it is now a cherished souvenir of those anxious days when the
pretensions of Slavery were at their height.
Public-domain text, read in full here on John Shaqi.
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