Charles Sumner: his complete works, volume 10 (of 20)Sumner, Charles
History
Charles Sumner: his complete works, volume 10 (of 20)
Sumner, Charles
Slavery -- United States; Speeches, addresses, etc., American
Fragonard, the King’s painter, united in this adulation. A French
paper describes the artist as displaying his utmost efforts “in an
elegant picture dedicated to the genius of Franklin, who is represented
with one hand opposing the ægis of Minerva to the thunderbolt, which
he first knew how to fix by his conductors, and with the other
commanding the God of War to fight against Avarice and Tyranny,
whilst America, nobly reclining upon him, and holding in her hand the
fasces, true emblem of the union of the American States, looks down
with tranquillity on her defeated enemies.” It is then said, that
“the painter, in this picture, most beautifully expressed the idea of
the Latin verse which has been so justly applied to M. Franklin.” The
enthusiastic journalist, not content with the picture and the verse,
proceeded to claim him as of French ancestry. “Franklin appears rather
to be of French than of English origin. It is certain that the name of
Franklin, or Franquelin, is very common in Picardy, especially in the
districts of Vimeux and Ponthieu. It is very probable that one of the
Doctor’s ancestors was an inhabitant of this country, and went over to
England with the fleet of Jean de Biencourt, or that which was fitted
out by the nobility of this province.”[266] The story of Homer seems
revived.
The tribute of Madame d’Houdetot was most peculiar. This lady, one of
the riddles of French society in the eighteenth century, whom Rousseau
depicted in a passage of surpassing fervor and made the inspiration of
his “Nouvelle Éloïse,” received Franklin at her château, near Paris, in
a brilliant circle, with banquet and verses in his honor. The famous
guest, at his arrival, and then at dinner, with every glass of wine
was saluted by a new verse, the whole ending with the ascription of
Turgot.[267] Whether to admire or pity the philosopher on this occasion
is the question.
In the minds of Frenchmen Franklin was associated always with this
verse; but such association was no common fame. The Marquis de
Chastellux, while on board the French frigate in the Chesapeake Bay,
on which he was about to leave, after those travels which did so much
to make our country known in Europe, addressed a communication to
Professor Madison, of Virginia, on the fine arts in America, where he
recommends for all the great towns a portrait of Franklin, “with the
Latin verse inscribed in France below his portrait.”[268] Thus, while
teaching our fathers the homage due to the great citizen, the generous
Frenchman did not forget the testimony of his countryman.
French invention stopped not with Turgot. Other verses were pitched on
the same key. An engraving of Franklin by Chevillet, after a portrait
by Duplessis, has this tribute:--
“Honneur du Nouveau Monde et de l’Humanité,
Ce Sage aimable et vrai les guide et les éclaire;
Comme un autre Mentor, il cache à l’œil vulgaire,
Sous les traits d’un mortel, une Divinité.”
Public-domain text, read in full here on John Shaqi.
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