Now, Sir, a proposition is brought forward to appropriate that identical sum of $10,000 for a work of art. I speak of it in the most general way. If there were any assurance that the work in question could be worthy of so large a sum, if there were any reason to imagine that the favorite who is to be the beneficiary under this resolution were really competent to execute such a work, still, at this time and under the circumstances by which we are surrounded, I might well object to its passage, simply on reasons of economy. This argument is not out of place. I present, then, as my first objection, the consideration of economy. Do not, Sir, wastefully, inconsiderately, heedlessly give away so much. If you are in the mood of appropriation on this scale, select some of those public servants who have been discharging laborious duties on an inadequate compensation, and bestow it upon them. Be just before you are generous. Do this rather than become such sudden patrons of art. I hope that I do not treat the question too gravely. You treated the motion to augment compensation in the State Department very gravely. I but follow your example. But, Sir, there is another aspect to which I allude, with your pardon. I enter upon it with great reluctance. I am unwilling to utter a word that would bear hard upon any one, least of all upon a youthful artist, where sex imposes reserve, if not on her part, at least on mine; but when a proposition like this is brought forward, I am bound to meet it frankly. Each Senator will act on his own judgment and the evidence before him. Each will be responsible to his own conscience for the vote he gives. Now, Sir, with the little knowledge I have of such things, with the small opportunities I have enjoyed of observing works of art, and with the moderate acquaintance I have formed among artists, I am bound to express a confident opinion that this candidate is not competent to produce the work you propose to order. You might as well place her on the staff of General Grant, or, putting him aside, place her on horseback in his stead. She cannot do it. She might as well contract to furnish an epic poem, or the draft of a bankrupt bill. I am pained to be constrained into these remarks; but, when you press a vote, you leave me no alternative. Admit that she may make a statue; she cannot make one that you will be justified in placing here. Promise is not performance; but what she has done thus far comes under the former head rather than the latter. Surely this National Capitol, so beautiful and interesting, and already historic, should not be opened to the rude experiment of untried talent. Only the finished artist should be admitted here.