Charles Sumner: his complete works, volume 18 (of 20)Sumner, Charles
History
Charles Sumner: his complete works, volume 18 (of 20)
Sumner, Charles
Slavery -- United States; Speeches, addresses, etc., American
More than any other European sovereign, William of Prussia possesses
the infatuation of “divine right.” He believes that he was appointed
by God to be King--differing here from Louis Napoleon, who in a spirit
of compromise entitled himself Emperor “by the grace of God and the
national will.” This infatuation was illustrated at his coronation
in ancient Königsberg,--first home of Prussian royalty, and better
famous as birthplace and lifelong home of Immanuel Kant,--when the King
enacted a scene of melodrama which might be transferred from the church
to the theatre. No other person was allowed to place the crown on his
royal head. Lifting it from the altar, where it rested, he placed it
on his head himself, in sign that he held it from Heaven and not from
man, and next placed another on the head of the Queen, in sign that her
dignity was derived from him. Then, turning round, he grasped the sword
of state, in testimony of readiness to defend the nation. Since the
Battle of Sadowa, when the Austrian Empire was so suddenly shattered,
he has believed himself providential sword-bearer of Germany, destined,
perhaps, to revive the old glories of Barbarossa. His habits are
soldierly, and, notwithstanding his seventy-three winters, he continues
to find pleasure in wearing the spiked helmet of the Prussian camp.
Republicans smile when he speaks of “my army,” “my allies,” and “my
people”; but this egotism is the natural expression of the monarchical
character, especially where the monarch believes that he holds by
“divine right.” His public conduct is in harmony with these conditions.
He is a Protestant, and rules the land of Luther, but he is no friend
to modern Reform. The venerable system of war and prerogative is part
of his inheritance handed down from fighting despots, and he evidently
believes in it.
Public-domain text, read in full here on John Shaqi.
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