Charles Sumner: his complete works, volume 19 (of 20)Sumner, Charles
History
Charles Sumner: his complete works, volume 19 (of 20)
Sumner, Charles
Slavery -- United States; Speeches, addresses, etc., American
But here, as in other things, genius exercises its accustomed sway
without limitation. Even the difficulties of “a defective model” did
not prevent Raphael, Titian, Rembrandt, Rubens, Velasquez, or Van Dyck
from producing portraits precious in the history of Art. It would be
easy to mention heads by Raphael yielding in value to only two or
three of his larger masterpieces, like the Dresden Madonna. Charles
the Fifth stooped to pick up the pencil of Titian, saying, “It becomes
Cæsar to serve Titian!” True enough; but this unprecedented compliment
from the imperial successor of Charlemagne attests the glory of the
portrait-painter. The female figures of Titian, so much admired under
the names of Flora, La Bella, his Daughter, his Mistress, and even
his Venus were portraits from life. Rembrandt turned from his great
triumphs in his own peculiar school to portraits of unwonted power;
so also did Rubens, showing that in this department his universality
of conquest was not arrested. To these must be added Velasquez
and Van Dyck, each of infinite genius, who won fame especially as
portrait-painters. And what other title has Sir Joshua himself?
Historical pictures are often collections of portraits arranged so
as to illustrate an important event. Such is the famous _Peace of
Münster_, by Terburg, just presented by a liberal Englishman to the
National Gallery at London. Here are the plenipotentiaries of Spain
and the United Provinces joining in the ratification of the treaty
which, after eighty years of war, gave peace and independence to the
latter.[144] The engraving by Suyderhoef is rare and interesting.
Similar in character is _The Death of Chatham_, by Copley, where
the illustrious statesman is surrounded by the peers he had been
addressing,--every one a portrait. To this list must be added the
pictures by Trumbull in the Rotunda of the Capitol at Washington,
especially _The Declaration of Independence_, in which Thackeray took a
sincere interest. Standing before these, the author and artist said to
me, “These are the best pictures in the country,”--and he proceeded to
remark on their honesty and fidelity; but doubtless their real value is
in their portraits.
Public-domain text, read in full here on John Shaqi.
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