Charlotte's InheritanceBraddon, M. E. (Mary Elizabeth)
General
Charlotte's Inheritance
Braddon, M. E. (Mary Elizabeth)
Fiction
This was my last journey. I have dwelt upon it longer than I need have
done; but I want you to understand what it is that makes Gustave Lenoble
dear to me. If you could feel the contrast between the past and the
present as I felt it when I stood on the deck of the Dover packet with
him by my side, you would know why I love him, and am grateful to him. We
stood side by side, watching the waves and talking of our future, while
my father enjoyed a nap in one of the little deck cabins. To Gustave that
future seems very bright and clear; to me it seems unutterably strange
that the future _can_ be anything but a dismal _terra incognita_, from
the contemplation of which it is wise to refrain.
Papa stays with Gustave at Cotenoir; but it had been arranged for me to
visit Mademoiselle Lenoble, Gustave's aunt, at Beaubocage, and to remain
with her during my stay in Normandy. I at once understood the delicate
feeling which prompted this arrangement. We dined at Rouen, and came to
Vevinord in a coach. At Vevinord a queer little countrified vehicle met
us, with a very old man, of the farm-servant class, as coachman. Gustave
took the reins from the old man's hand and drove to Beaubocage, where
Mademoiselle Lenoble received me with much cordiality. She is a dear old
lady, with silvery bands of hair neatly arranged under the prettiest of
caps. Her gown is black silk, and her collar and cuffs of snowy
whiteness; everything about her exquisitely neat, and of the fashion of
twenty, or perhaps thirty, years ago.
And now, I suppose, you will want to know what Beaubocage is like. Well,
dear, much as I admire Mademoiselle Lenoble, I must confess that her
ancestral mansion is neither grand nor pretty. It might have made a very
tolerable farmhouse, but has been spoiled by the architect's
determination to make it a chateau. It is a square white building, with
two pepper-castor-like turrets, in one of which I write this letter.
Between the garden and the high road there is a wall, surmounted with
plaster vases. The garden is for the greater part utilitarian; but in
front of the salon windows there is a grassplot, bordered by stiff
gravel-walks, and relieved by a couple of flower-beds. A row of tall
poplars alone screens the house from the dusty high road. At the back of
it there is an orchard; on one side a farmyard; behind the orchard lie
the fields that compose the farm of Beaubocage and the paternal estate of
the Lenoble family. All around the country is very flat. The people seem
to be kind and simple, and devotedly attached to "Mademoiselle." There is
a rustic peacefulness pervading everything which, for me, stands instead
of beauty.
Public-domain text, read in full here on John Shaqi.
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