Chasing an Iron Horse; Or, A Boy's Adventures in the Civil WarRobins, Edward
History
Chasing an Iron Horse; Or, A Boy's Adventures in the Civil War
Robins, Edward
Railroad stories; United States -- History -- Civil War, 1861-1865 -- Fiction
But George rose valiantly to the occasion. He began to sing "Old Folks at
Home," in a clear sweet voice, and, when he had finished, he gave a
spirited rendition of "Dixie." When "Dixie" was over he made a signal to
Waggie, who walked up and down the pathway on his hind legs with a comical
air of pride.
The expression of the pompous negro had undergone a great change. His
black face was wreathed in smiles; his eyes glistened with delight; his
large white teeth shone in the morning light like so many miniature
tombstones.
"Ya! ya! ya!" he laughed. "Doan go way. Ya! ya! Look at de dog! Ho! ho!"
He reentered the house, but was soon back on the portico. With him came a
handsome middle-aged man, evidently the master of the house, and a troop
of children. They were seven in all, four girls and three boys, and they
ranged in ages all the way from five to seventeen years.
No sooner did he see them than George began another song--"Nicodemus, the
Slave." This he followed by "Massa's in the cold, cold ground." As he
ended the second number the children clapped their hands, and the master
of the house shouted "Bravo!" Then the boy proceeded to put Waggie through
his tricks. The dog rolled over and lay flat on the ground, with his paws
in the air as if he were quite dead; then at a signal from his master he
sprang to his feet and began to dance. He also performed many other clever
tricks that sent the children into an ecstasy of delight. Watson nearly
forgot his role of blind man, more than once, in his desire to see the
accomplishments of the terrier. But he saved himself just in time, and
contrived to impart to his usually keen eyes a dull, staring expression.
By the time Waggie had given his last trick the young people had left the
portico and were crowding around him with many terms of endearment. One of
them, seizing the tiny animal in her arms, ran with him into the house,
where he must have been given a most generous meal, for he could eat
nothing more for the next twenty-four hours.
The handsome man came off the portico and looked at the two supposed
beggars with an expression of sympathy.
"You have a nice voice, my boy," he said, turning to George. "Can't you
make better use of it than this? Why don't you join the army, and sing to
the soldiers?"
George might have answered that he already belonged to one army, and did
not feel like joining another, but he naturally thought he had better not
mention this. He evaded the question, and asked if he and the "blind man"
might have some breakfast.
"That you can!" said the master, very cordially. "Here, Pompey, take these
fellows around to the kitchen and tell Black Dinah to give them a _good_
meal. And when they are through bring them into my study. I want the boy
to sing some more."
Public-domain text, read in full here on John Shaqi.
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