Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
Then I ran on up the next flight of stairs, at the head of which was the
door of my room. It was partly open, and a flood of light and warmth
streamed out into the hall, causing me to stand perfectly still for a
moment, while my eyes took in the view presented to them. Such a fire as
was roaring in the grate had never been seen there since I had been
mistress of the apartment, while in the middle of the floor the table
was spread as for a gala dinner, with celery and jelly, and even the
coffee-urn which I never had used. What did it mean? Why had the Misses
Keith taken this liberty with me, and plunged me into such extravagance,
when they knew the low state of my finances? I think I felt a very
little indignant at the good, kind old souls, as I pushed the door wide
open and advanced into the room, starting back and stopping suddenly, at
sight of a man—a big, broad-shouldered, tall man—muffled in a heavy
coat, and sitting with his back to me, his feet resting on a chair, and
his hands clasped behind his head, as if he were intently thinking. Who
was he that dared thus intrude? I thought, and my voice had a sharp ring
in it, as I said:
“Sir, what are you doing here? You have made a mistake. This is my
room.”
He started then, and sprang up so quickly as to upset the chair on which
his feet had rested, and which he did not stop to pick up, as he came
rapidly toward me. What a giant of a fellow he was, in that shaggy coat,
with all that brown, curling beard! and how my heart beat as he caught
me in his strong arms, and, kissing me on both cheeks, said:
“I have made no mistake, Norah, and I am here to see you. Don’t you
remember spindle-shanks?”
Then I knew who it was, and, with a glad cry, exclaimed:
“Oh, Tom! Tom! I am so glad. Why didn’t you come before, when I wanted
you so much?”
I had struggled to my feet, but did not try to release myself from the
arm which held me so fast. In my excitement and surprise I forgot the
years since we had met, forgot that he was a full-grown man, and no
longer the “spindle-shanks,” as I used sometimes to call him—forgot
everything but the fact that he had come back to me again, and that I
was no longer alone and friendless in the world. Tom was there with me,
a tower of strength, and I did not hesitate to lean upon my tower at
once, and when he said, as only Tom could say, in a half-pitiful,
half-laughing tone, “Have it out, Norah. Put your head down here, and
cry,” I laid my head on the big overcoat, and “cried it out.”
Public-domain text, read in full here on John Shaqi.
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