Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
That was indeed the glory of the house, so large and airy, and
commanding a fine view of the town outside the garden walls. To the
south was a large bay window, fitted up just like a fairy playhouse,
with pictures and flowers, and lace curtains across the arch, and a
canary bird caroling a merry song in his handsome cage. To the west a
long balcony, with two or three easy-chairs, and at each corner an urn
full of bright flowers and drooping vines. Such a nice place to sit and
read, or work in the morning, especially as a door from it communicated
with the sleeping room, which had the tallest bedstead and bureau I had
ever seen, and was pretty enough for the queen herself. Indeed, I
doubted whether there was in Buckingham Palace or Windsor Castle any
rooms as pretty and suggestive of genuine comfort as these, and I said
so to Tom as we stood in what he called “my wife’s room,” with the south
bay window and the long west balcony.
“Then you really like it, and think you could be happy here?” Tom said,
sitting down upon the blue satin couch, and drawing me beside him.
“Happy!” I repeated; “yes, perfectly happy with people whom I loved, and
I am sure you’ll be happy, Tom, and I’m so glad for you that you have so
beautiful a home.” He was silent a moment, and then he said:
“Norah, you have not selected your room yet. I know which I have
designed for you, but I want you to be suited. Can you tell me which you
would like?”
Now was the time to make an end of all the talk about my living with him
at Rose Park, and I began:
“Tom, why can’t you understand how impossible it is that I should stay
here after you are married?”
“Why impossible?” he asked, and I replied:
“Because there is nothing in common between me and Miss Elliston. She is
elegant, and grand, and high-born, and I am a little plain old maid of
whom she would be ashamed even as a poor relation. She loves you, and
you will be happy with her alone. I should only be an element of discord
in your household. No, Tom, don’t speak till I’m through. My mind is
fully made up. I cannot live with you, and shall resume my old work
again and so be independent. But I thank you all the same for your kind
offer, and shall be happier in the old life, knowing you are in London,
where I can reach you if anything should happen.”
I had made my speech, and when it was ended Tom began in a tone of voice
I had never heard from him before, except as I remember dimly the time I
was so sick and heard him say:
“Dear little girl, please, God, spare her to me now.”
Public-domain text, read in full here on John Shaqi.
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