Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
Kitty Craig was just married; and the white satin and fleecy lace, in
which she had looked so much like an angel that her great, handsome
giant of a husband hardly dared to touch her, was folded and packed away
in one of the trunks which stood in the hall waiting the arrival of the
express wagon which was to take them to the train. And Kitty in her
traveling-dress looked infinitely prettier and more approachable than
she had in all that sheen of lace, and satin and flowers, which had cost
so much money and discussion, the mother and aunties saying that it was
a useless expense, as were nearly all such bridal dresses, when the
bride was neither wife nor daughter of a millionaire—that in nine cases
out of ten the costly fabric was worn only at the altar and then laid
aside to fade and grow yellow with time, or at best to be made over
after a lapse of years, when there arose some occasion which demanded
it. Kitty, on the contrary, knew she should need it, for was she not
going to New York, the very “hub” of parties, and receptions and
society, and though she did not know an individual there, and might, as
her quaint old aunt expressed it, be at first “a rat among cats,”
instead of “a cat among rats,” as she had hitherto been, she should soon
have troops of friends, for was not John the confidential clerk in a
first-class wholesale house on Broadway, and already acquainted with the
wives of his employers, Messrs. Orr, Guile and Steele, and as each of
these ladies was in her way a star, would they not be the _sesame_
through which Kitty would enter society, and eventually become a _cat_.
There was Mrs. Orr, the wife of the senior partner, a handsome matron,
who rolled in gold—name, house and person, all golden—and telling of the
dollars her husband counted by the millions. John knew her, and had once
been invited to dine with her on Sunday, and in his next letter to Kitty
had delighted her with a description of the dinner, at which Mrs. Orr
presided in satin dress of golden-brown, with diamonds in her ears, and
where her daughter, Miss Elinor Orr, wore natural camellias in her hair
and talked French to her mother all the time. Then there was Mrs. Guile,
a second wife, and a dashing brunette, whose servants did not speak a
word of English, and at whose house John had once taken tea on a Sunday
night, when his fine baritone voice was wanted in a quartette of music
which followed in the evening.
Public-domain text, read in full here on John Shaqi.
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