Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
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Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
“She is a lady, every whit,” he said, “and pretty, too, and intelligent,
and well—yes—she rather expects you to call, and she would like to see a
little of New York society, and she don’t know a single soul, and it’s
lonesome for her, and you can show her some attention without hurting
you one bit, and I hope you will do it.”
He had said a great deal more than he intended saying, for something in
Lottie’s proud eyes exasperated him, and without waiting for her to
answer he left the breakfast-room suddenly, and his wife heard the bang
of the street door as it shut behind him.
“Expects me to call and show her some attention! How absurd,” she said
to herself, as she went back to her room. “She cannot be much accustomed
to the usages of society if she supposes I am to call on every clerk who
happens to get married. Why, my list is so large now that I am nearly
crazy and I certainly shall not add Mrs. John Craig’s name to it. Apple
pie and ginger-snaps, and one servant! Poor John! He was a nice kind of
a fellow, and ought to have been rich.”
And then Lottie fell into a fit of musing as to what might have been had
John been rich instead of poor. The truth was, Lottie Guile had fancied
John Craig better than any man she ever knew, and once, after a long
chat with him in the office, where she was waiting for her father, she
had tried to make up her mind to encourage the liking he evidently had
for her, but fear of what Mrs. Grundy would say if the daughter of
Richard Guile should marry her father’s clerk prevailed, and when Amasa
Steele offered himself and his half-million, she accepted him, and
wished he was not quite so gray, and that he looked more like the
confidential clerk, who was present at the wedding, and who, she
thought, seemed a little sorry.
Public-domain text, read in full here on John Shaqi.
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