Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
That time seemed long, long ago—ay, was long ago, before he was the city
millionaire and husband of the dashing, self-willed Lottie, who, while
professing to believe just what Kitty did, practiced a far different
creed. All the tithes of anise, and mint and cumin she brought, but she
neglected the weightier matters, and her dark eyes flashed angrily for a
moment when she heard Kitty’s reason for declining her Sunday dinner.
“As if she were so much better than anybody else,” she said, and she was
going on to say more when her husband cut her short with, “I suppose she
does not feel like going straight from the altar to a dinner party.
Isn’t it communion next Sunday in your church?”
Yes, it was, but Lottie had forgotten that, and her face flushed as her
husband thus reminded her of it. The two did not seem to be wholly
congruous, and so she staid home the next Sunday, and felt a strange
feeling of disquiet, and thought more of Kitty Craig, and how she would
look with that expression of peace on her face when she turned away from
the altar than she did of the grand dinner which was being prepared in
her kitchen, and which, though pronounced a success by those of her
guests who cared nothing for the fourth commandment, seemed to her a
failure. Nothing suited her; everything was wrong, from the color of the
gravy to the flower in her step-mother’s hair, and the fit of Mrs. Orr’s
dress; and when all was over, and the company gone, and she was alone
with her thoughts and the Bible she tried to read, and, which by some
chance she opened at the words. “Remember the Sabbath day to keep it
holy,” she said to herself, “I don’t believe I’ll ever try to have
another dinner party on Sunday.”
She went to see Kitty the next day and chided her for her absence, and
called her a little Methodist and a Puritan, and asked how she came to
be so strait-laced, and ended with: “But I believe you are right after
all, only here in the city people do differently, and you will be like
us in time.”
“I trust I never may forget that God is in the city as well as in the
country,” was Kitty’s reply, which Lottie pondered long in her heart,
and which at last bore the fruit which ripens on the everlasting hills
of glory.
* * * * *
It is two years since the night of the musicale, and more than one
carriage with servants in livery and ladies gayly dressed has stopped at
Kitty’s door, and Kitty has the _entree_ to many a fashionable house.
But having tasted the once coveted apple and found how unsatisfying it
was, she has put it from her and sees but little of the _beau monde_
save such as she sometimes meets at the house of Lottie Steele, who is
now her best friend, and whose carriage stands at her door on the night
of which we write. There was a message from Mr. Steele to John and Kitty
Craig, telling them to come immediately, for Lottie, he feared, was
dying.
Public-domain text, read in full here on John Shaqi.
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