Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
Kitty did not think so; and when two months later she met, down in one
of the miserable alleys in the city where want, and misery, and vice
reigned supreme, “a love of a” French chip hat, trimmed with a bunch of
exquisite pansies and blonde lace, she did not believe that the kindness
paid to the poor old paralytic woman who died with her shriveled hand
clasped in Lottie Steele’s, and her lips whispering the prayer Lottie
had taught her, was less acceptable to God than it would have been had
Lottie’s face and form been disfigured by the garb with which some
well-meaning women make perfect frights of themselves.
Lottie’s heart was right at last, and Amasa never muttered now nor swore
if he could not find his slippers while she was saying her prayers. On
the contrary he said them with her, and tried to be a better man, just
as he said he would, and at last one morning in June, when even the
heated city seemed to laugh in the glorious summer sunshine, he knelt
before the altar and himself received the rite of which he had once
thought so lightly.
“We are so happy now,” Lottie said to Kitty one day. “And I am so glad
of Maudie, though I did not believe in babies once; and Am is just like
a young lover and I’d rather have him than all the men in the world if
he was fifty his last birth-day, and I am only twenty-five; and do you
know I charge it all to you, who have influenced me for good ever since
I first saw you, and made that atrocious speech.”
“Let us rather both ascribe to Heaven every aspiration after a holier,
better life which we may have,” was Kitty’s reply, but her heart was
very happy that day, as she felt that she might perhaps have been an
instrument of good to one household at least, and that to have been so
was infinitely of more value and productive of more real happiness than
getting into society, which she had once thought so desirable, and
which, now that she was or could be in it if she chose, seemed so
utterly worthless and unsatisfactory.
THE END.
------------------------------------------------------------------------
MATTHEW DOYLE.
By WILL GARLAND. This is a powerful story, and one with an
object. The vital question of lynching is its theme, and
arguments on both sides of the subject are ably set forth. The
author has written with spirit and drawn his characters with
firm and clear strokes. It is original, exciting, and shows
clearly the true position of the negro in the south, in an
unprejudicial manner. It is a great book. Cloth bound. 1.25
Public-domain text, read in full here on John Shaqi.
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