Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
THE MAN WHO DARED.
By JOHN P. RITTER. Mr. Ritter has achieved a work of rare
interest. It is a great historical picture of the time of
Robespierre, in which fact and fancy are welded together in a
fine realization of the spirit of the times. It has all the
elements of a genuine romance, and is an unusually fascinating
historical romance. Illustrated. Cloth bound, gilt top. 1.25
THE DAY OF TEMPTATION.
By WM. LE QUEUX. This is one of this author’s best stories. It is
thrilling and realistic, and bears out a mystery which carries
the reader through a labyrinth of strange experiences. Cloth
bound. 1.50
THE STORY OF THE ROUGH RIDERS.
By EDWARD MARSHALL. The most intensely interesting book of modern
times. It is devoted entirely to this one famous regiment. It
contains a _complete roster of the regiment_, and is profusely
illustrated from photographs and drawings. Cloth bound. 1.50
WATERS THAT PASS AWAY.
By N. B. WINSTON. “There is a deep lesson of life to be learned
from a book like this, and in it one may study character, and
the infallible trend of social consequences, sorrow ever
following sin, and sin in its turn yielding to joy when true
repentance follows after.”—_Philadelphia Item._ Cloth bound. 1.25
THE RETURN OF THE O’MAHONY.
By HAROLD FREDERIC. To those who have read “The Damnation of
Theron Ware,” and “Seth’s Brother’s Wife,” there will be found
in this extremely delightful novel, “The Return of the
O’Mahony,” a book that will gratify the reader much more than
any other book of the times. Illustrated, and with portrait of
the author. Cloth bound, deckle edge, gilt top. 1.50
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TRANSCRIBER’S NOTES
1. Silently corrected obvious typographical errors and variations in
spelling.
2. Retained archaic, non-standard, and uncertain spellings as printed.
3. Enclosed italics font in _underscores_.
Public-domain text, read in full here on John Shaqi.
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