Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
“Neither were Mrs. Strong and Mary backward in their demonstrations of
friendship and esteem for the woman who had suffered so much since the
day, years and years before, when she had left her home in Millfield and
returned no more. Could the inmates of the red house have blotted from
their minds the memory of the poor lunatic who, not many miles away, was
chafing and raging like a newly-caged animal, they would have been very
happy these last summer days; and, to a certain degree, they were happy,
though, in her low, nervous state Anna could never quite put from her
mind the fear lest her dreaded husband should by some means escape from
his confinement and come to do her harm. But the bolts and bars were
very strong which held him, else he might perhaps have escaped, for he
seemed endowed with superhuman strength, and clutched savagely at the
iron gratings of his cell, shaking them at times as if they were but
dried twigs in his hands.
“He was terrible in his insanity, and only his keeper and physician ever
ventured near him. At them he sprang and snapped viciously, like a dog
chained to a post, while he filled the room with the most horrid oaths,
cursing Madame Verwest, who had dared to call him her child.
“‘He who was highly born, the son of a gentleman, the child of a
servant, a nurse, a Yankee, and illegitimate at that; curse her! curse
her! she lies! she lies! she played me false, and I hate her!’ he would
scream, when his mother was the subject of his thoughts.
“Again, when it was Eugenie, he grew, if possible, more desperate than
before, and would utter such oaths that even his keeper, hardened as he
was by similar scenes, fled from the hearing of the blasphemous words.
“Of Anna and Agatha he never spoke until toward the last, when, as if he
had worn his fierce nature out, he grew more quiet, and would sit for
hours perfectly still, with his head bowed upon his hands, intently
brooding over something in the past. Was he thinking of Agatha, and the
cottage far away in Normandy, where he first saw her singing in the
sunshine, with the sweet, shy look of innocence in her soft eyes, or did
she come up before him as he last looked upon her, cold, white, and dead
in her coffin, ruined by him, who had used every act in his power to
lure her into the snare. It would seem that she came to him in both
phases, for at times he would smile faintly and whisper, very soft and
low:
“‘_Ma petite, ma cherie. Venez avec moi a Paris. Je vous aime bien_.’
“To her he always spoke in French and with the utmost tenderness, saying
to her, as he thought himself bending over her coffin:
Public-domain text, read in full here on John Shaqi.
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