Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
“Such frights as the English women are, with their horrid shoes, their
dresses made before the flood, and that everlasting white thing tied
high about their throats,” I had heard one of them say and, while
flushing with indignation, had felt, to a certain degree, that their
criticism was just, and that, taken as a whole, the English ladies did
not compare favorably with their American sisters, so far as grace and
style were concerned.
But this little bride, with the blue eyes and golden hair, might have
come from the show-rooms of the most fashionable modiste on Broadway,
and not have shamed her mantua-maker. She had evidently been gotten up
in Paris, and I watched her with a good deal of interest until the
cliffs of Dover were in sight, and we were nearing the shores of England
and home. Then, in seeing to my boxes, which were the very last to be
brought from the boat, I forgot everything, and came near being left by
the train waiting to take us to London.
“Hurry up, miss, you’ve only quarter of a second,” a porter cried, as,
in my bewilderment, I was looking for a carriage. “Here, here! this way!
Second class?” he screamed again, interrogatively, and seizing the door
of a second-class carriage, he held it open for me, guessing, by what
intuition I know not, that I must necessarily be a second-class
passenger.
For once, he was mistaken; for, thanks to the kindness of dear Kitty
Bute, with whom my vacation had been passed, I was first-class all the
way from Paris to London, and, rejecting contemptuously the porter’s
offer of assistance, I sprang into the nearest first-class compartment,
just as the train began to move, and found myself alone with the little
bride and groom. There was a look of annoyance in the eyes of the bride,
while the young man gave a significant pull to his brown mustache, and I
knew I was not wanted. But I had a right as valid as their own, and
taking my seat on the opposite side, near the open window, I pretended
to be occupied with the country through which we were passing so
swiftly, while my thoughts went back to the past, gathering up the
broken threads of my life, and dwelling upon what I had been once and
what I was now.
And this is the picture I saw far back through a vista of twelve long,
weary years. A pleasant old house in Middlesex—an English house, of
stone, with ivy creeping over it even to the chimney-tops, and the boxes
of flowers in the windows, the tall trees in front, the patches of
geraniums and petunias in the grass, the honeysuckle over the door of
the wide, old-fashioned hall, through which the summer air blew softly,
laden with the perfume of roses, and the sweet-scented mignonette. And I
was standing in the door, with a half-opened rose in my hair, and the
tall, angular boy who had placed it there was looking down upon me with
great tears swimming in his eyes, as he said:
Public-domain text, read in full here on John Shaqi.
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