Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
“You are twenty, I am nineteen; that’s all the difference, though I
confess that you have badgered, and scolded, and lectured me enough for
forty grandmothers,” he said; “but there’s the stage, and now it’s
really good-by.”
Two minutes more and I was walking back alone through the quiet shady
lane, where Tom and I had played together so often, and where now were
the remains of a playhouse he had built under a spreading oak. There was
his room, divided from mine by a line of stones, and there in the wall
the little niche where I kept my dishes and hid the gooseberry tarts
away from greedy Tom. How happy we had been together, making believe
sometimes that I was his mother and he my sick baby, which I tried to
rock to sleep in my lap, finding his long legs a great inconvenience and
a serious obstacle to much petting on my part. Again he was a fierce
knight and I a lorn maiden shut up in some grim fortress—usually old
Dunluce Castle—for we had once visited the north of Ireland and explored
the ruins of what some writer terms “the grandest, romantickest,
awfullest sea-king’s home in all the broad kingdom.” We had had our
quarrels, too, and even fights, in which I always came off victor, owing
to my peculiar mode of warfare, as I had a habit of springing upon him
like a little cat and tearing his face with my nails, while he was
usually content with jerky pulls at my hair. But all that was over now,
and buried with the doll whose head he had broken because I would not
stay home and nurse him when he had the quinsy, and could only talk in a
wheezy kind of way. He had threatened revenge, and taken it upon my
prettiest Paris doll, and I had flown at him like a tiger and scratched
his nose till it bled, and cried myself sick, and then we had made it up
and buried dolly near the old playhouse in the lane, and reared a slab
to her memory, and planted some daisies on her grave. And just here,
near what seemed to be the grave of my childhood, I sat down that summer
afternoon and thought of all those years—of Tom on his way to India, and
of the future opening so brightly before me, for I was the betrothed
wife of Archibald Browning, who belonged to one of the best families in
the county, and in less than a month we were to be married and spend our
honeymoon in Switzerland, among the glorious Alps, of which I had
dreamed so much. I knew that Archie’s mother was very proud, and thought
her son might have looked higher than Norah Burton, especially as there
was a possible peerage in prospect, but she was civil to me, and had
said that a season in London would improve me greatly, if such a little
creature could be improved; and Archie, I was sure, loved me dearly,
notwithstanding that he sometimes criticised my style and manner, and
wished I was more like his cousin, Lady Darinda Cleaver, who, I heard,
powdered her face and penciled her eyebrows, and was the finest rider on
Rotten Row. Tom, who had been often in London, had seen the Lady
Public-domain text, read in full here on John Shaqi.
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