Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
Yours, in sorrow and sympathy,
“DARINDA CLEAVER.”
As I read this strange epistle, I felt as if turning into stone, and had
my life depended upon it I could not have shed a tear for the lover dead
and the ruin of all my hopes. Indeed, in looking back upon the past, I
do not think I ever _really_ cried for _Archie_, though for weeks and
months there was a heavy pain in my heart, a sense of loss and
loneliness, and disappointment, but often, as I felt the hot tears
start, there came the recollection that I had not been his first choice,
if indeed I were ever his choice at all; that it was probably in a fit
of pique he had asked me to be his wife, and this forced the tears down
and made me harder, stonier than before. I sent his picture back that
very day, and with it my engagement ring, a splendid solitaire, which I
reflected with bitterness would some day sparkle on Lady Darinda’s
finger, and it did. I did not write a word. I could not. I merely sent
the ring and the picture, and felt when I gave them to Aunt Esther that
my old life was ended and a new one just begun.
“Tom’s letter you have not read yet. That may comfort you. I’ll bring it
directly,” Aunt Esther said: and in a moment I had it in my hand and was
studying the superscription:
“MISS NORAH BURTON,
“The Oaks,
“Middlesex.
“Not to be opened till the wedding-day.”
Then for a moment there was a feeling in my throat as if my heart were
rising into my mouth, but I forced it down, and breaking the seal, read
the letter, which was so much like Tom. He had been out to sea three
days, and there was a ship in sight by which they hoped to send messages
home, so he was trying to write in spite of the fearful condition of his
stomach, which he described as a kind of raging whirlpool.
Public-domain text, read in full here on John Shaqi.
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