Chats on Cottage and Farmhouse FurnitureHayden, Arthur
History
Chats on Cottage and Farmhouse Furniture
Hayden, Arthur
Country furniture -- England; Furniture -- England; Textile fabrics -- England
The tripod table offered difficulties of construction and is not
often found. The example illustrated is probably unique in form. In
date it is about 1760, and is remarkable for the attempt at elaborate
rococo work. Sometimes, though not often, mahogany was used in
farmhouse examples. The table illustrated (p. 183) is an instance of
the use of this wood instead of oak. It is about 1730 in date, and
exhibits an unusual form in the round cross stretcher, a touch of
originality by the maker. It is, as will be seen, a square-topped
table with flaps.
Elaboration of a high order was happily not often attempted by the
country workman, or the results with his limited experience would
have been disastrous. Instead of a fine series of really good, solid,
and well-constructed furniture made for practical use we should have
had a wilderness of failures at attempting the impossible. A copy
of a fine Chippendale side-table illustrated (p. 187) is a case in
point. There is the usual want of balance in the poise of the leg,
but the carving is of exceptional character. The table beneath, with
its long and tapering legs, has all the characteristics of the Adam
style. The beaded decoration on the legs, the classic fluting and the
carved rosette claim distant relationship with the classic inventions
of Robert Adam. The wood is pinewood, and as an example it is of
singular interest.
The rapid survey of eighteenth-century influences bearing on the
class of furniture of which this volume treats will perhaps induce
the collector to scrutinise more carefully all pieces coming under
his notice, with a view to arriving at their salient features
in connection with the native design of more or less untutored
craftsmen.
[Illustration: ELABORATE TABLE.
Country attempt to imitate fine Chippendale side table. Note the
want of balance in leg.]
[Illustration: PINEWOOD COUNTRY-MADE ADAM TABLE.
Note the unusually long leg.]
CHAPTER VII
THE EVOLUTION OF THE CHAIR
[Illustration: OAK ARM-CHAIR. DATE _C._ 1675.
With elaborate scroll back.]
[Illustration: OAK ARM-CHAIR. DATE 1650.
With scratched lozenge.]
[Illustration: CHESTNUT ARM-CHAIR. DATE 1690.]
[Illustration: OAK ARM-CHAIR. DATE 1690.]
(_By the courtesy of Messrs. Phillips, Hitchin._)
CHAPTER VII
THE EVOLUTION OF THE CHAIR
Early days--The typical Jacobean oak chair--The evolution of
the stretcher--The chair-back and its development--Transition
between Jacobean and William and Mary forms--Farmhouse
styles contemporary with the cane-back chair--The Queen Anne
splat--Country Chippendale, Hepplewhite, and Sheraton--The
grandfather chair--Ladder-back types--The spindle-back
chair--Corner chairs.
Public-domain text, read in full here on John Shaqi.
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