Chats on Cottage and Farmhouse FurnitureHayden, Arthur
History
Chats on Cottage and Farmhouse Furniture
Hayden, Arthur
Country furniture -- England; Furniture -- England; Textile fabrics -- England
(_By the courtesy of Messrs. Phillips, Hitchin._)]
=The Tavern Chair.=--It was Dr. Johnson who declared that a tavern
chair was the throne of human felicity. Undoubtedly the eighteenth
century found the need of a comfortable chair for club meetings at
taverns and alehouses. The country inn to-day has its Windsor chairs,
many of them of great age. Nor were chairs of this type always with
arms. There are many plainer chairs without arms and having what is
termed "fiddle-string" backs; more often than not across this back
there is a rail put transversely to strengthen it. Many of these
chairs were made by local carpenters and wheelwrights. They employed
any wood that happened to be in their workshop at the time; in
consequence the variety of woods in which these chairs are found is
great. Sometimes the seat is made from beech or elm and the arms are
fashioned from the wood of the pear-tree. The curved horseshoe rails
and back are more often than not constructed from the ash.
=Eighteenth Century Pleasure Gardens.=--There is no doubt that we
owe the considerable output of Windsor chairs in the middle of the
eighteenth century to the growth of coffee-houses, and especially
the numerous tea and pleasure gardens on the outskirts of London and
other great towns. These semi-rural resorts began to be in great
demand as a recreation for jaded eighteenth-century town-dwellers.
The nobility and persons of fashion had Bath and Tunbridge Wells
to fly to for country air and open-air recreation. The citizen and
mechanic, the society beau, and the politician, crowded to Ranelagh
Gardens, to Vauxhall, to Sadler's Wells, and to Hampstead, to
enjoy sunny afternoons and summer evenings in the open air, or to
spend Sundays. It was the eighteenth-century diversion similar to
the nineteenth-century Crystal Palace and the twentieth-century
Earl's Court. To quote Mr. Percy Macquoid in his lordly work on
English furniture, "So great were the numbers of visitors to these
places that attention was called to their increase in one of the
contemporary weekly journals, where a calculation was made that on
Sundays alone two hundred thousand people visited the tea-gardens
situated on the northern side of London; and as half-a-crown per
head was probably the least sum expended by them, it can be no
exaggeration to state that £20,000 on a fine Sunday was taken at
these places of amusement. Many cheap chairs must have been required
at such places of entertainment."
Between the year 1760 and the end of the century the Windsor chair
was being made for general country use. "The backs and arms of
these," continues Mr. Macquoid, "are made of hoops of yew, held
together by a number of slender uprights and a perforated splat of
the same tough and pliant wood; the seats were generally invariably
of elm, as yew cut into a superficies of any size is liable to split;
the legs and stretchers were generally of yew."
[Illustration: OLIVER GOLDSMITH'S CHAIR.
Public-domain text, read in full here on John Shaqi.
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