With regard to silver and gold lustre, that in all probability became extinct for a little time, but in recent years the great demand for silver lustre has produced a corresponding supply, manufactured abroad for the English collector, but it is very inferior and easily detected from the early examples by its coarse and dull surface and slovenly finish. The places where lustre ware is known to have been manufactured are at Brislington, by R. Frank, about 1770; at Etruria, by Wedgwood, in 1780; and by Wilson, in Staffordshire, in 1785; also by Moore & Co. and Dixon & Co., at Sunderland, about 1820. Swansea, at the Dillwyn pottery (of which we spoke in our “Chat” on Swansea), also, about 1800, is known to have produced lustre ware. [Illustration: _W. G. Honey._] [_Cork._ SILVER LUSTRE JUGS.] Different processes were employed in producing the lustre, but they all consist in reducing the metal from a state of combination, by dissolving it in some chemical, and depositing it in a particularly thin layer on the surface of the pottery, so that it exhibits its characteristic lustre without burnishing. As may readily be supposed, the amount of platinum used for the silver ware, and gold for the purple or gold lustre, is extremely small. [Illustration: SILVER LUSTRE TEAPOT.] Of the silver or platinum lustre very many fine examples exist, and it is extremely popular owing to its similitude to old English silver or plate. The sugar bowl we reproduce, with beaded pattern and fluted design, is quite in the style of the Sheffield plate of the Georgian period. Of the three silver lustre cream jugs, that in the extreme right is of the same design, while the other two show at a glance the beauty of form that silver lustre in its best period reached. Other varieties of this silver lustre are quite plain, as in the teapot we reproduce (p. 229), which is an example of a slightly later period. This is a fine specimen of the unornamented variety of silver lustre which is undistinguishable from silver. In fact the highly burnished surface of such a teapot as this cannot be obtained on silver, the lustre is of a richer and deeper quality. Alas! it possesses the dangerous property of dissolving, like a fairy gift, into nothingness. Elfin gold will turn into a circle of whirring, dancing, mocking leaves, and if your wondrous lustre teapot slips to the ground, it lies a heap of brown earthenware fragments.