KUNINAGA, who died in 1804, was a rare pupil of Toyokuni. His work is pleasant, though it has no great distinction; but it is far more attractive than the work of most of these men, for the reason that he had the good luck to die before the period of general disintegration began. The Spaulding Collection contains a fine diptych by him, in black and several shades of yellow, in the early style of Toyokuni. KUNIMITSU was also an early pupil of Toyokuni. His work is agreeable but not notable. From the vast number of minor followers of the Toyokuni tradition, I select the following as the most common: KUNIYASU I, KUNIYASU II, TOYOKIYO, TOYOHIRO II, KUNIFUSA, KUNIHIRO, KUNITANE, KUNIKATSU, KUNIHISA, KUNITERA, KUNITERU, KUNIKANE I, KUNIKANE II, KUNITAKA, KUNIMUNE, KUNIHIKO, KUNITOKI, KUNIYUKI, KUNITSUMA, KUNIKIYO, KUNIHANA, KUNITOHISA, KUNIMICHI I, KUNIMICHI II, KUNIAO I, KUNIAO II, KUNITORA, KUNITAKI, KUNITSUGI I, KUNITSUGI II, KUNITADA, KUNINOBU II, KUNIAKI, KIYOKUNI, KUNIMARU I, KUNIMARU II, KUNICHIKA, CHIKASHIGE, YOSHITAKI, YOSHITSURU, YOSHIUME, YOSHITSUNA, YOSHISATO, YOSHIFUJI, YOSHIKAGE, YOSHIKUNI, YOSHICHIKA, YOSHIKAZU, YOSHIHARU, SHUNBENI, YOSHITOMI, YOSHIFUSA, SUGAKUDO, SENCHO, TOMINOBU. CHIKAMARO is said to be identical with KIOSAI, whose work sometimes resembles Hokusai's. Born in 1831, he died very late in the century. He was a vigorous designer--perhaps the best of all the later men. His crow pictures are famous. [Illustration: KIKUGAWA YEIZAN.] KIKUGAWA YEIZAN, a prolific and undistinguished designer of the first quarter of the century, was a late rival and imitator of Utamaro. He eventually sank even to imitating Kunisada. The flowing draperies of some of his prints of women are at first sight attractive to eyes not accustomed to the finest works in this field; but the complete banality of Yeizan's powers becomes manifest on more prolonged acquaintance, and any trace of charm disappears. FOLLOWERS OF THE TORII SCHOOL. Here may be mentioned those artists in whom the once-great Torii School came to its inglorious end. KIYOMINE, the fifth head of the school, sometimes signed himself Kiyomitsu; his work is easily distinguishable from that of the first Kiyomitsu. He studied under Kiyonaga, and later adopted a style somewhat like that of Toyokuni. His work is graceful, but not distinguished. Prints by him are rather rare. He died in 1868. KIYOFUSA, who died as late as 1892, was the sixth Torii. He also called himself Kiyomitsu III and Kiyosada II. Other late members of this school were: KIYOMOTO II, KIYOYASU, KIYOTADA II, KIYOTADA III, KIYOSADA I. THE OSAKA SCHOOL.