Kitao Masanobu was another of the pupils of Shigemasa who marched
eventually beneath the banner of Kiyonaga, though he retained to the
last much of his first master's manner. Born in 1761, he lived until
1816. His occupations besides painting were various: he kept a
tobacco-shop, and was best known in his own day under the literary name
of Kyōden, for his highly popular novels and comic poems. He produced
very few prints, but those few are of distinguished quality, all of them
probably the product of his early years, before he reached the age of
thirty. At least one of these, reproduced in Plate 31, is an
unsurpassable triumph. His resemblance to his first master is so marked
that it is not always possible at first glance to distinguish his prints
from those of Shigemasa. In fact there is a certain unsigned
pillar-print, representing the two lovers Komurasaki and Gompachi, which
is still of doubtful authorship, some authorities attributing it to
Shigemasa, while others assign it to Masanobu.
[Illustration: MASANOBU (KITAO).]
Possibly Kitao Masanobu is most widely known for his elaborate
illustrated book, "Celebrated Women of the Tea Houses and their
Handwritings." This volume was published about 1780; I have already
referred to it in dealing with the great illustrated book of Shunsho and
Shigemasa. It consists of seven large double-page illustrations in many
colours, and is a highly praised work, sheets of which are often
mounted as separate prints. It appears to me, however, to have been
overrated; and my impression is that in these designs elaborateness has
smothered composition and richness has obliterated beauty.
Kitao Masanobu's single-sheet prints are lamentably few, as are also his
pillar-prints; but from those that remain to us it is possible to rank
Masanobu as an artist second to only the very greatest. Spirituality is
a clumsy word to use in describing work so definitely embodied as this;
yet none other conveys the sense of his peculiar and grave harmony. The
mature beauty of his work carries us back to the perfection of
Shigemasa.
The collector will search long before he finds an important print by
this artist to add to his collection.
MASAYOSHI.
Public-domain text, read in full here on John Shaqi.
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