Chats on Old Copper and BrassBurgess, Fred. W. (Frederick William)
History
Chats on Old Copper and Brass
Burgess, Fred. W. (Frederick William)
Brasses; Brasswork; Copper; Copperwork; Metal-work -- Collectors and collecting
There is no intermediate stage between the general use of clocks and
watches and sundials, for their use overlaps. We have but to look
at many an old church tower on which is to be seen the dial still
operative--for sun and gnomon fail not--and the clock which has told
the time for many years. Both were probably working before pocket
clocks or watches became general and timepieces were to be found on the
mantelpiece or sideboard.
Brass was used from the commencement of clockmaking for wheels and
dials; and wonderfully, too, the early clockmakers cut and carved the
metal into the required form and gauged the works with accuracy. Some
may be familiar with that wonderful astronomical clock in Wimborne
Minster, made in 1220 by Peter Lightfoot, a monk of Glastonbury, who
also constructed a clock for Wells Cathedral. In it, according to the
early belief that the sun, moon, and stars revolved round the earth,
the sun travels its appointed circuit every twenty-four hours, and by
its position marks the time.
In the evolution of the clock there have been many marked stages.
The clock when first devised was a great stride from the sundial,
the beautiful plates of which have already been described. Progress
followed, and in a century or two clocks with wheels and complicated
mechanism, which when once set going and wound up periodically told
the time with exactitude, enabled the populace to know the time of
day even when the sun was not shining. That was the age of decorative
art, and many of the brass plates and dials were magnificent in their
engravings, glorious in their beautiful old fretwork, and rich in
brass cherubims and emblems of Old Father Time. Moving figures were in
the early days regarded as ideal attractions in clocks. The two old
figures which strike the hour and go through some quaint evolutions
over the clock which for many years has been a great attraction in
Cheapside, are typical of the figures which in miniature might have
been seen playing on brass gongs and chiming bells in many towns in
the sixteenth and seventeenth centuries. They were in abundance in
Norwich and towns in the eastern counties, seeming to reflect the old
Flemish cities on the Continent, where they are even now fairly common.
Collectors are very enthusiastic in their search for genuine "Cromwell"
or lantern clocks. A few years ago they might have been found discarded
on the old metal rubbish-heaps of the clockmaker. To-day these clocks,
all brass in their construction, are polished bright, set going once
more, and treated with care; good specimens changing hands for sums
varying from eight to fifteen pounds. Originally they were usually
placed on a bracket, over which was often a wooden hood to protect the
clock. Then came a hinged glass door, and in that we have the origin
of the "grandfather" with enlarged dial and rich oak or mahogany case
reaching down to the ground.
[Illustration: FIG. 85.--ENGRAVED POCKET CLOCK.]
Public-domain text, read in full here on John Shaqi.
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