Chats on Old Copper and BrassBurgess, Fred. W. (Frederick William)
History
Chats on Old Copper and Brass
Burgess, Fred. W. (Frederick William)
Brasses; Brasswork; Copper; Copperwork; Metal-work -- Collectors and collecting
The metal-work which comes from Japan has reached us in great variety.
There has been no need for the traveller or collector to search the
island for curios to bring over to this country, for the commercial
instincts of a new race of Japanese merchants have poured out a
wealth of antiques, collected from the native villages; with these and
modern imitations they have gladly supplied the demand of the Western
world. In this way attention has been called to the products of that
country where craftsmen have gone on hammering copper and brass, and
inlaying the metal in highly decorated patterns in silver and gold for
so many years.
Reference has already been made to the rare temple pieces and sets
which have been looted or purchased from Asiatic countries, so many
of which are of rare cloissonné enamels. Some of these of Japanese
origin are mentioned in Chapter XIV. Of the minor bronzes, replicas of
temple relics, there are many beautiful koros or incense burners. Other
bronzes serve the purpose of ornament in the Western countries to which
they have found their way. In Fig. 68 is shown a beautiful bronze. The
sacred carp is inlaid with gold and silver and is exceptionally well
finished. The pair, of which it is one, came from Japan about thirty
years ago, and are of much finer workmanship than many of the more
modern replicas.
Household requisites as well as ornamental treasures have been made
with care by hammer and engraving tool into things of beauty as well
as usefulness. The household requirements of the Japanese are limited
in number, but in the entertainment of her friends the Japanese lady
is able to cause envy among her Western sisters because of the beauty
of her kettles and brazier. The kettle shown in Fig. 66 is one of
a toilet set of hammered brass, engraved with badges and foliage.
It was probably produced early in the nineteenth century, before
Western commercial ideas began to invade the workshops of Old Japan.
In conjunction with such kettles (the Japanese name of a kettle is
_yuwakashi_) metal bowls were used, the water being poured over the
hands of the fair Japanese and her guests by attendants, who also held
the bowl to catch the dropping water.
Public-domain text, read in full here on John Shaqi.
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