On this point of the origin of the design, Sir Rowland Hill's journal
contains an entry which scarcely bears out the legend that the Queen
devised the idea together with the Prince Consort. The entry, under
April 3, 1840, is: "Mr. B[aring] has sent a proof impression of the
cover stamp to the Queen, with a memorandum from Mulready and Thompson
[the engraver] explanatory of the design."
Then there is the historic pair of sketches in water-colours, roughly
executed by Sir Rowland Hill to show the approximate appearance of the
penny stamp in black and the twopence stamp in blue. This was sent by
Hill to the Chancellor of the Exchequer.
[Illustration: DESIGN FOR THE KING EDWARD ONE PENNY STAMP APPROVED AND
INITIALLED BY HIS LATE MAJESTY.
(_From the collection of H.M. King George V._)]
In the line-engraved series, His Majesty has shown two copies of the
1d. V.R., and a fine series of imperforates of the 1d. red, Die I. and
Die II., in a large range of shades; 1d. red with letters in all
four corners (plates 132 and 225); 1d. red, in a pair, on Dickinson
paper; ½d. rose-red (plate 9), 2d. blue with four letters (including
plate 7), 1½d., plate 1 in bluish lake and plate 3 in brick-red.
[Illustration: THE COMPANION DESIGN TO THAT ON PAGE 313, AND SHOWING
THE CORRECT POSE OF THE HEAD, BUT IN A DIFFERENT FRAME, WHICH WAS NOT
ADOPTED.
(_From the collection of H.M. the King._)]
All the Victorian surface-printed series are shown imperforate,
including the 3d. with reticulated background; 3d., plate 3 ("dot");
4d. in lake, watermarked "small garter"; 6d., plate 1 on safety paper
and plate 3 with hair-lines; 9d., plate 3 with hair-lines and plate 5;
10d., plate 2; 1s., plate 1 on safety paper, plate 3 with hair-lines,
4 in an unissued colour, lilac; 2s., plate 3; 10s., £1, and £5 on blue
paper.
In addition to the scarce items in the Victorian series of official
stamps, the King possesses the extremely rare I.R. Official 5s., 10s.
and £1, of the Edwardian issues, in mint corner pairs; also the almost
unique Sixpence of the same set, in similar condition. Of this last
stamp, no other unused copy is known, and only three which have been
through the post.
Of the ordinary stamps of King Edward's reign, the Royal collection
contains several essays and proofs of great interest. A photograph of
a stamp made up from Herr Füchs's original sketch of King Edward's
head, enclosed in the newly designed frame and border, deservedly comes
first, and bears the late King's written approval: from this, temporary
copper-plates were engraved, so that the effect might be noted, and
three proofs therefrom are included.
Unfortunately, the final result did not come up to the anticipated
standard, and there was some talk about having a fresh design prepared,
after the style of the then new Transvaal stamps, but this fell through
on the ground of expense; proofs of this also are in the collection,
together with various colour-trials of the One Penny value, as adopted.
Public-domain text, read in full here on John Shaqi.
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