"NICARAGUAN STAMP.--Will be ready in a week. A beautiful proof
of the Nicaraguan Stamp (equal to the original) will be sent
for 13 postage-stamps. Only 75 proofs of this will be taken;
each proof will be numbered, and then the block burnt. An early
application is really necessary, 25 copies being already sold.
Address...."
These "proofs," rarer, no doubt, than the originals, were endorsed
editorially, and collectors unable to procure the original stamp were
told they "would do well to provide themselves with one of these
facsimiles." The astute Mr. Pemberton, however, took a very different
view. "Although he tells every one that they are merely facsimiles and
not the real stamps, we cannot but help thinking that he is acting
wrongly; for less scrupulous dealers than himself will sell them as
genuine.... Again, these imitations are by far the best executed of any
we have seen. The regularly forged stamps are wretched in comparison
with these, and therefore all the more caution will be required to
detect them." So he proceeds to a detailed description of the small
differences existing between genuine and imitation.
There is no royal road by which the collector can attain to the
accurate and ready discrimination between the right and the wrong
copies of stamps. Forgeries have multiplied enormously between 1863
and 1911, so that now the standard handbook by the Rev. R. B. Earée is
a masterpiece of detail entitled "Album Weeds," occupying two large
volumes containing nearly 1,300 pages of text. It would be idle to
pretend that even the expert has every description contained therein
"at his fingers' ends." Yet the expert is rarely deceived in a stamp,
even when he has not access at the time to Mr. Earée's work or other
references. I remember an early instruction, the only one that covers
the subject, but I forget whence it comes. It was that if you study
your stamps an imperceptible sense will come to you that will enable
you at once to acclaim the true and to suspect if not denounce the
false.
Beyond this I can only advise the reader that, as a complete novice, he
would be unwise to purchase costly rarities and valuable stamps from
unknown and irresponsible persons. The novice will remain a novice in
these matters, unless he acquires some knowledge of the differences
(generally readily distinguishable) between a stamp that is from
an engraved plate and a forgery that is, say, lithographed or from
a wood-cut. It is important to remember also--at least for the new
collector--that strange though it may seem to him, stamps really do
fetch what they are considered to be worth by collectors and dealers
of experience, and that if rare stamps are offered much below the
current quotation by individuals supposed to know their true worth, it
may often be, and generally is, that the wares they have for sale are
either forgeries or carefully mended copies of damaged originals.
Public-domain text, read in full here on John Shaqi.
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