It suggests the story of Böttger and his workmen imprisoned by
reason of the secrets they held. Surely these workmen and artists who
know the secret of the Copenhagen ware will not be allowed to escape.
It is too precious a thing to Denmark that its secrets be divulged. But
the reply comes suddenly when the doors are opened and the secret, that
is no secret, is disclosed. These men and women are Danes, and proud
of their art and filled with the love of their Copenhagen porcelain.
They come and go as they will. Like bees they roam over the flowers and
the gems of nature, and they return home to the hive because they love
their art. That which their hand findeth to do, they do with all their
might.
=Facility for Study of Animal and Plant Life.=--There is sunshine here
in this Northern pottery. The courtyard shows a scene no other factory
in the world can offer; it is bewildering to a student of potteries:
a turkey with her brood proudly dominates the scene. We have with the
camera caught this as a record. It is as suggestive as it is remarkable
that the artists have carried their love for fidelity so far that
flowers and animals and birds find themselves in suitable environment
at this strange enchanted factory.
Animal life is dear to the potters here. There are over three hundred
moulds of different types--wading and diving wild fowl from the remoter
"haunts of coot and hern"; sea-gulls, never absent from the harbour
and canals spanned by bridges over which trams pass; bears and seals,
the originals of which are to be found at the Zoological Gardens
close by; and if the Phœnix--that fabulous bird which lives for five
hundred years, making its nest of spices and burning itself to ashes,
coming forth with renewed life for another five hundred years--could
be captured, it would find a place in the aviary of the factory which,
Phœnix-like, has arisen with youth and vigour.
=The Absence of Lead Poisoning.=--In place of the white-faced factory
workers, we find at the Copenhagen factory a healthy band of workmen,
artisans, and artists, employed in conditions that are a credit to all
concerned. The usual drudgery of a pottery is eliminated as much as
possible in this factory. The latest modern appliances to ventilate
the dust-laden air are in use. _There are no cases of lead-poisoning,
because lead is not used in the factory either in pigments or in
glazes._ A dining-hall and dressing-rooms have been erected for the
workmen. The factory provides its own electricity and mechanical power;
it is heated throughout by hot water, and has a complete system of
vacuum and pressure mains.
The lady artists work in almost ideal conditions. They are installed
in studios filled with flowers and plants, and in no other factory are
the artistic conditions so favourable to the study of plant and animal
life. The photographs we reproduce are taken of the normal surroundings
of everyday work.
[Illustration: INTERIOR OF ROYAL COPENHAGEN PORCELAIN FACTORY.
Public-domain text, read in full here on John Shaqi.
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