Madsen, Professor Karl, quoted, 105 Majolica, old masters of, 317 Mark not used at Copenhagen (1773-1775), 104 Marks (continental) with royal and patrician cyphers, 28 (Copenhagen) art faience, 330 Early blue-and-white porcelain, 174-6 Fournier period (illustrated), 36 Müller period (1775-1801), 100-4 Peculiarities in position of (blue-and-white porcelain), 171 Renaissance period, used by leading painters and modellers (from 1885), 255-62 Similarity between early Copenhagen and Fürstenberg, 36 Three blue lines, origin of the, 56 (English) imitation of Oriental, Sèvres, and Meissen, 11, 281 Mason's ironstone china, 310 Meehl, Hans, mark of, 104 Meissen-- Establishment of factory at, 29 Figure subjects of, compared with Copenhagen, 77, 126 Marks copied by English potters, 11, 281 Porcelain, authoritative history of, 29 Secret of, divulged and spread throughout Europe, 30 Workmen and materials carried off by Frederick the Great to Berlin, 32 Workmen at Copenhagen, 59 Mehlhorn, a potter from Saxony, comes to Copenhagen, 36 Meyer, Elias, 109 Panel painted by, 97 Meyer, M., 109 MII (incised) as a mark, 174 ML (incised) as a mark, 174 Modellers and painters, Müller period (1773-1801), list of, 105-10 Modellers' and Painters' Marks (early blue-and-white), 174-6 (Renaissance period), 255-62 Modern ephemeral art movements unheeded at Copenhagen, 248 Modern equipment of Copenhagen factory, 340 Modern Renaissance at Copenhagen-- Crystalline glazes, 289-303 Early days, 201-19 Figure subjects, 263-88 Golden period, 219-54 Moltke, Count, of Bregentved, Fournier porcelain in collection of (illustrated), 33 Moore, Mr. Bernard, his examples of glazing, 292 Moorish potters, arabesque designs of, 318 Müller, Frantz Heinrich (1773-1801)-- Discontent and misery contemporary with establishment of his factory, 39, 48 his secret mission to other factories, 52, 84 Portrait of, 41 Range of his subjects and order of their production, 68 Recognition of, in his lifetime, 64 Scurvy treatment of, at factory, 80, 83 Statue of him that was never erected, 64 Successors of (1820-1880), 177-97 Technique of, 63, 64 Müller period, the, culminating point of, 71 Mussel-blue painted, the great service, 172 Mussel-blue painted, underglaze, the suggestive idea of modern developments, 234 Napoleonic wars, 202 National character of early Copenhagen porcelain, 130 of Japanese ceramic art, 247 National Museum (Stockholm), Copenhagen porcelain at, 38, 69, 115, 119 National sentiment in Müller's designs, 95 in modern Copenhagen porcelain, 235, 246 National style created at Copenhagen, 84 Nature, Danish, reflected in modern Copenhagen porcelain, 252, 253, 339 Nature-study a dominant note at Copenhagen, 150, 339